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22 user 4 critic

The Green Glove (1952)

Approved | | Crime, Drama, Mystery | 28 February 1952 (USA)
An ex-soldier and his new girlfriend comb France for a valuable relic...which others are willing to kill for.

Director:

Rudolph Maté

Writers:

Charles Bennett (story), Charles Bennett (screenplay)
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Cast

Complete credited cast:
Glenn Ford ... Michael 'Mike' Blake
Geraldine Brooks ... Christine 'Chris' Kenneth
Cedric Hardwicke ... Father Goron
George Macready ... Count Paul Rona
Gaby André ... Gaby Saunders
Jany Holt ... The Countess
Roger Tréville ... Police Insp. Faubert
Juliette Gréco ... Singer (scenes deleted)
Georges Tabet Georges Tabet ... Jacques Piotet
Meg Lemonnier ... Madame Piotet
Paul Bonifas Paul Bonifas ... Inspector
Jean Bretonnière ... Singer
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Storyline

In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

In This Deadly Game... He Could Lose Only Once!


Certificate:

Approved | See all certifications »
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Details

Country:

France | USA

Language:

French | English

Release Date:

28 February 1952 (USA) See more »

Also Known As:

The Gauntlet See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

George Macready, who plays Count Rona, is also an art collector in real life, just like his onscreen character in this film. See more »

Goofs

Jany Holt (The Countess") refers to her manservant as Pierre; however, there is no such name entered in the list of characters. See more »

Quotes

Michael Blake: How come a German speaks such good English?
Count Paul Rona: Who said I was German?
Michael Blake: Well, what are you?
Count Paul Rona: I've changed passports so often, I've lost touch. I was educated in England. My mother was a Czech, my father was a Pole. In those days, the Poles were Russians and the Czechs were Austrians. So you work it out.
See more »

Crazy Credits

Opening credits are shown over what appears to be a gauntlet, "the famous green glove" described by the narrator immediately following the credits. See more »

Connections

Featured in Crime Wave: 50 Movie Mega Pack (2016) See more »

Soundtracks

Romance
Music by Joseph Kosma
Lyrics by Henri Bassis
Sung by Juliette Gréco
See more »

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User Reviews

 
Lackluster thriller set in France is no Maltese Falcon
21 June 2003 | by bmacvSee all my reviews

Plenty of points of interest went into The Green Glove – a seasoned cast, locations in France (Paris, the Midi), a dangerous quest for a fabulous artifact. But not much energy was expended on making them interesting. It's easy to lose track of who wants what and who killed whom in this lackluster thriller, and hard to care.

Good cinematographer turned so-so director Rudoph Maté cast one of his favorite subjects, Glenn Ford, as a soldier caught up in the liberation of France. There Ford captures but loses George Macready (his old adversary from Gilda, which Maté photographed). Of vague nationality and dubious loyalties, Macready was trying to abscond with the story's Maltese Falcon – a priceless gauntlet which has reposed in a village church for centuries. Ford takes custody of it but, injured, leaves it behind with the family who rescued him.

When post-war prosperity stateside doesn't catch up with Ford, he returns to France in hopes of retrieving the gauntlet and with it his fortune. From the moment his feet hit French soil (having apparently been under close surveillance for years), Macready's men start following him around; the police grow interested when one of them is found dead in Ford's hotel room. With the effervescent Geraldine Brooks in tow, he sets out by the Blue Train to the Riviera, dodging both the law and Macready's mob. There's an early scene set high up in the Eiffel Tower, and, for the resolution, Maté keeps his camera high, taking us to the sheer precipices of a goat trail and to the bell tower of the burgled church (wanly anticipating Hitchcock in both North by Northwest and Vertigo).

But the film jumps from one thing to another like those mountain goats leaping from crag to crag (fatally losing its footing in one coy, comic scene at a country inn where Ford and Brooks feign being newlyweds with bridal-night jitters). More crucially, the characters stay blandly generic, with no feel for their quirks or insight into their motives (and Sir Cedric Hardwicke is thrown away as a country priest). The Green Glove of the quest is the real McCoy, unlike the Maltese Falcon, which was a fake; in this case, the paste is worth far more than the diamonds.


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