16 user 2 critic

Dreamboat (1952)

Approved | | Comedy | 26 July 1952 (USA)
Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.


Claude Binyon


Claude Binyon (screenplay), John D. Weaver (story "Love Man")


Learn more

More Like This 

Romance | Comedy | Mystery
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

When a dancer disappears from a theater, her former lover asks lawyer Clay Dalzell to investigate, leading him on a trail of murder and deception.

Director: Stephen Roberts
Stars: William Powell, Ginger Rogers, Paul Kelly
Adventure | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

In Europe at the start of World War II, a woman notices that wherever her husband goes, the Nazis seem to follow. Meanwhile, a charming reporter is following them.

Director: Leo McCarey
Stars: Ginger Rogers, Cary Grant, Walter Slezak
Tight Spot (1955)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A female inmate is whisked out of prison and into a police guarded hotel until the District Attorney can convince her to testify against the mob in the upcoming trial.

Director: Phil Karlson
Stars: Ginger Rogers, Edward G. Robinson, Brian Keith
The Hard Way (1943)
Drama | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Embittered, ambitious Helen Sherman sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.

Director: Vincent Sherman
Stars: Ida Lupino, Joan Leslie, Dennis Morgan
Certificate: Passed Comedy | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The misadventures of a group of diverse guests at the Waldorf Astoria hotel in Manhattan.

Director: Robert Z. Leonard
Stars: Ginger Rogers, Lana Turner, Walter Pidgeon
What a Woman! (1943)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

A literary agent is pursued by the charming writer of a popular magazine while she attempts to sway one of her clients, a handsome but innocent college professor, to star in an upcoming movie based on his best-selling novel The Whirlwind.

Director: Irving Cummings
Stars: Rosalind Russell, Brian Aherne, Willard Parker
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

Shortly after their tenth wedding anniversary, New York theater producer Steven Hilliard and his wife, former popular radio singer Kay Hilliard née Ashley, are getting a Kay-initiated Reno ... See full summary »

Director: David Miller
Stars: June Allyson, Joan Collins, Dolores Gray
Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A naive small-town girl comes to New York City to meet her husband, and discovers that he may be a murderer.

Director: William Castle
Stars: Robert Mitchum, Kim Hunter, Dean Jagger
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A formal tailcoat that gets passed from one owner to another affects each life in a significant way.

Director: Julien Duvivier
Stars: Charles Boyer, Rita Hayworth, Ginger Rogers
Kitty Foyle (1940)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A hard-working, white-collar girl from a middle-class family meets and falls in love with a young socialite, but she soon clashes with his family.

Director: Sam Wood
Stars: Ginger Rogers, Dennis Morgan, James Craig
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »

Director: W.S. Van Dyke
Stars: Rosalind Russell, Don Ameche, Kay Francis
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A torch singer becomes a mail-order bride for a farmer.

Director: William A. Wellman
Stars: Barbara Stanwyck, George Brent, Lyle Talbot


Complete credited cast:
Clifton Webb ... Thornton Sayre / Dreamboat / Bruce Blair
Ginger Rogers ... Gloria Marlowe
Anne Francis ... Carol Sayre
Jeffrey Hunter ... Bill Ainslee
Elsa Lanchester ... Dr. Mathilda Coffey
Fred Clark ... Sam Levitt
Paul Harvey ... Lawyer D.W. Harrington
Ray Collins ... Timothy Stone
Helene Stanley ... Mimi
Richard Garrick ... Judge Bowles


Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.

Plot Summary | Add Synopsis




Approved | See all certifications »






Release Date:

26 July 1952 (USA) See more »

Also Known As:

Casanova wider Willen See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


When Thorton tells his daughter he came in second in a popularity poll, she asks who came in first. He doesn't say the name, just that it was a "stupid police dog". Of course this is a reference to Rin Tin Tin, who made 29 films from 1922 to 1931 and more often than not received top billing. See more »


When Miss Marlow's cab arrives at her "real" hotel after she leaves the flop house the head lights are off; (probably to reduce glare) but when the angle changes the lights are back on. See more »


[Reading aloud]
Denham: Ham. To be or not to be...
Thornton Sayre: Denham, the word "Ham" is not to be read; neither as part of the soliloquy nor as a self-condemnation of your own performance. It is an abbreviation of "Hamlet," the character who is speaking.
See more »


Features Sitting Pretty (1948) See more »


Sweet and Lovely
Written by Gus Arnheim, Harry Tobias and Neil Moret (as Jules LeMare)
Played when Bill and Carol are dancing at the nightclub
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Alias Thornton Sayre
12 March 2006 | by theowinthropSee all my reviews

Clifton Webb made several movies before his big hit film, LAURA. He even appeared in some silent films. But, like Sidney Greenstreet (whom unfortunately he never popped up to play against in any films) his real career in motion pictures does not begin until 1944. Then it takes off...in spurts. He is a hit as Waldo Lydeckker, and then plays a carbon copy of Waldo as the villainous Cathcart in THE DARK CORNER. Then he gets the role of Elliott Templeton, the world's greatest snob, in the first version of THE RAZOR'S EDGE.

It is not until Templeton that the studio revises it's views on the talented Mr. Webb. Up till that time, Webb was seen as a sophisticated (perhaps effeminate) villain - and had played the part well twice. Templeton is villainous only in one area - he sees no future for his niece Isabel (Gene Tierney) with Larry Darrell (Tyrone Power), so when Isabel breaks with the latter Elliott encourages her to do so (using her future large inheritance from him as a lure). He also suggests she marry Gray (John Payne), a safer, more reliable husband (and a stockbroker). This may seem villainous (if you like Power's character), but he accepts it readily enough. Isabel actually is more villainous as the story progresses, getting rid of a weakened rival with truly fatal results. But Elliott just becomes a selfish, self-indulgent joke as the film progresses. In the end we welcome him for being funny (in an unintentional way). After Elliott Templeton it occurred to 20th Century Fox (and later other studios) that Webb could be a comedian - and a sharp one.

They should have realized this to begin with. Webb, in his youthful heyday of first Broadway stardom (1920 - 1940) was a leading musical comedy star. Most people seeing him today as Mr. Belvedere or as John Philip Sousa (ironically, his only musical film part), or as the doomed Richard Sturgis in TITANIC can't think of him as one of the best singer comedians in Broadway history - at one point the leading rival to Fred Astaire! His decision to make STARS AND STRIPES FOREVER in 1953 destroyed the one opportunity he would have had to strut his musical comedy talents on celluloid. Vincent Minelli hoped he'd play Geoffrey Cordova, the "Renaissance Man of the Theatre" in THE BAND WAGON. He would have played with Astaire. Instead the film has British musical comedy star Jack Buchanan in the role.

What he might have been like as a silent film comic actor (or even dramatic actor) is hard to say. He only has one surviving modern film which tackles this issue. In 1952 he played Bruce Blair, once the partner with Gloria Marlowe (Ginger Rogers) in a series of silent romantic dramas. Their partnership is like that of Ronald Colman and Vilma Banky, who made about five films together in the late 1920s. Blair left movies at the end of the silent period - tired of the grind, and wanting to teach literature at college (where the superior Webb would gravitate too naturally). He is using his real name, Thornton Sayre, as his professorial name. He is there with his daughter, and a seemingly quiet academic life. Then all hell breaks lose - Gloria has been hired to be the hostess of a television series showing their old popular movies. And they are a hit. But they have made his students, fellow academe, and the head of the college (a hopelessly adoring Elsa Lanchester) recognize Sayre for whom he actually was.

The plot has Webb trying to bring legal action to prevent the showing of the films (particularly as ridiculous sound effects and rewritten message cards advertising products are making him look idiotic). Gloria backed by her agent/producer (Fred Clark) fight this, and Gloria - in trying to vamp Bruce - remembers how she did like him years ago but lost him to another woman. All of which leads to a final courtroom showdown.

The whole film is funny, but the best bits were Webb overacting (in the silent film method) in the silent films he made, such as a World War I aviation epic, which ends with a crash (but he's still able to kiss his beloved Rogers in his trademark triple arm kiss - they are in a clinch at the fade out of the silent film). There is also a priceless scene where an angry drunk in a bar starts a fight with Webb for accidentally turning on his wife. Webb, no physical pushover here, watches the physical wrestling throws of twenty five years earlier on the television screen, and repeats them on the drunk!

The problems with misused silent films bugged many retired film figures in the early days of television. Stan Laurel was angry at the butchering of his comedies for commercials (it ruined well planned timing for gags). So the film actually does show a situation that existed in early television. It also partly answers the question of what Webb would have been like in an earlier age of movies.

16 of 20 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 16 user reviews »

Contribute to This Page

Recently Viewed