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The Slasher (1953)

Cosh Boy (original title)
Approved | | Crime, Drama | 29 May 1953 (USA)
The life of a juvenile delinquent is threatened by his own incessant desire for trouble.

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Writers:

(play), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
... Roy
... Rene
... Elsie
... Bob
... Mrs. Collins
... Queenie
Nancy Roberts ... Gran Walsh
... Donaldson
Ian Whittaker ... Alfie
Stanley Escane ... Pete
Michael McKeag ... Brian
Sean Lynch ... Darkey
... Skinny (as John Briggs)
... Woods
Cameron Hall ... Mr. Beverley
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Storyline

Amongst the bomb-sites and dark alleys of postwar London Roy Walsh and his gang of juvenile delinquents waylay and rob old ladies. Without parental control from his war-widowed doting mother, Welsh, already on probation, drifts into more and more devious and serious offences. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Call me a gangster or a mobster...but not a delinquent! See more »

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

29 May 1953 (USA)  »

Also Known As:

The Slasher  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Roy Bentley, at the time captain of Chelsea Football club and an England international, has a small, uncredited role as an instructor. See more »

Goofs

When Walshy and one of his gang go to play draughts (checkers), the positions of the different coloured pieces seem to swap sides from when they approach the board (black on the left) to when they are seated (red on the left) to when they leave (black on the left). See more »

Quotes

Police Sergeant: How would you describe the men who attacked you?
Queenie: As dirty lot of stinking rotten sons of...
Police Sergeant: Alright, alright. What did they look like?
Queenie: 'Ow the hell should I know? D'you suppose they came up and raised their bloomin' 'ats before they 'it me?
Police Sergeant: [filling in a form] No description...
See more »

Crazy Credits

Opening credits prologue: By itself, the "Cosh" is the cowardly implement of a contemporary evil; in association with "Boy", it marks a post-war tragedy - the juvenile delinquent. "Cosh Boy" portrays starkly the development of a young criminal, an enemy of society at sixteen. Our Judges and Magistrates, and the Police, whose stern duty it is to resolve the problem, agree that its origins lie mainly in the lack of parental control and early discipline. The problem exists - and we cannot escape it by closing our eyes. This film is presented in the hope that it will contribute towards stamping out this social evil. See more »

Connections

Featured in Mike Baldwin & Me (2001) See more »

Soundtracks

The Rose of Tralee
(uncredited)
Traditional
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User Reviews

 
An amusing cod thriller.
3 April 2001 | by See all my reviews

'Cosh Boy' has dreadful scripts and abysmal acting. The only attractive feature of the film is the pretty 18 year old actress Joan Collins (whatever became of her?). The storyline is condescending and moralistic. It suggests that manly discipline is needed to help in the rebuilding of the post-war family, otherwise working-class youths will turn into vicious, nasty 'cosh boys' or poor hapless single mothers. Crime had actually fallen after the war. Black market crime, and other offences, was rife in wartime Britain

What makes this film funny, apart from the atrocious acting, is that in hindsight we can see how ridiculous some 'moral panics' are. The people that might laugh at the caricatures in this film might still go along with existing panics in Britain today - such as 'mad cow' disease, 'road rage', chlamydia teenage alcoholism etc. The total ridiculousness of this film is clear because it is so dated. However panics still grip the popular imagination today, only that they are filtered through far more sophisticated channels such as so-called public health campaigns and the media.

Returning to the film. The characters are one-dimensional, it is purely an exercise in moral tub-thumping concerned with the reconsolidation of law and order in post-war society. The acting is so bad it is hilarious and I'm sure this is one film that Lewis Gilbert would not want to be reminded of.


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