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French Touch (1952)

Coiffeur pour dames (original title)
Approved | | Comedy | 1 September 1954 (USA)
Mario (Fernandel), a bumptious sheep-shearer, discovers he has a inimtable touch that makes women, as well as sheep, swoon at his professional caress. He is soon the most sought-after ... See full summary »


Jean Boyer


Jean Boyer (adaptation), Serge Veber (adaptation) | 2 more credits »

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Cast overview, first billed only:
Fernandel ... Marius, dit Mario
Renée Devillers Renée Devillers ... Mme Brochand
Arlette Poirier Arlette Poirier ... Edmonde
Georges Chamarat Georges Chamarat ... Le docteur
Françoise Soulié Françoise Soulié ... Denise Brochand
Jacques Eyser Jacques Eyser ... Vatherin
Mireille Ponsard Mireille Ponsard ... Une cliente
Claudette Donald Claudette Donald
Nadine Tallier ... Mlle Mado
Nicole Jonesco Nicole Jonesco ... Colette - la soubrette
Yana Gani Yana Gani ... L'impératrice
Julien Maffre Julien Maffre ... Le paysan à la jument (as Maffre)
José Noguéro José Noguéro ... Gonzalès Cordeba y Navarro y Vavor
Manuel Gary Manuel Gary ... Gaëtan
Georges Lannes ... Brochand


Mario (Fernandel), a bumptious sheep-shearer, discovers he has a inimtable touch that makes women, as well as sheep, swoon at his professional caress. He is soon the most sought-after hairdresser in France and is awarded the Legion of Honor. Among the women whose lives are changed by a hairdo(and his "touch") are Renee Devillers, his understanding wife; Arlette Poirier, a busy demimondaine, and Blanchette Brunoy, his most appreciative customer who sets up his ritzy establishment. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Gallic...Saucy...Spicy...and very, very funny!




Approved | See all certifications »






Release Date:

1 September 1954 (USA) See more »

Also Known As:

French Touch See more »

Company Credits

Production Co:

Hoche Productions See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


Featured in Censura: Alguns Cortes (1999) See more »

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User Reviews

High quality popular entertainment as art
16 August 2015 | by markwood272See all my reviews

Saw this via YouTube 8/15/15 in a beautiful print. The first Fernandel movie I've seen, and it was pure pleasure from start to finish.

A country sheep shearer becomes a dog groomer. His talented fingers soon progress to human hair. After impressing many females with his caresses as a coiffeur, he "marries up" and opens a fancy hair salon in Paris. Eventually his skill earns him the Legion of Honor, with amusing twists and turns along the way.

A few observations after watching this film:

First, the beguilingly simple comedic structure would be familiar to Moliere. And Fernandel's "Marius" (or "Mario") character resembles Beaumarchais' Figaro as re-imagined by Horatio Alger.

For a movie released (in France) in 1952 (the USA in 1954), the frank eroticism of the coiffeur's ministrations is surprising. Mario's magic fingers explore the female scalp as an erogenous zone, and the movie makes no effort to conceal the resulting orgasms. On the other hand Mario is more than his distinctive talent. Fernandel seems to represent what many audiences, whether French, American or whatever, would recognize as the deep intelligence that resides in the countryside among simple folk performing unglamorous but useful work, such as sheep-shearing.

This is an effective movie for French language learners. Throughout the film dialogue is spoken colloquially but clearly. Fernandel, a French "southerner", provides a good initiation into the world of regional French accents.

French cinematic art cannot be confined to the New Wave. I think that producing an entertaining movie is in itself a considerable artistic achievement. I should also note here that the production values, the film's fit-and-finish, approach perfection. Even the theme music is very pretty and works as an effective complement to the image and sound track.

Hairstyling's erotic possibilities show up in other films, notable examples of which include Patrice Leconte's "The Hairdresser's Husband" (1990) and "Shampoo" (1975) directed by Hal Ashby.

This is the second Jean Boyer-directed movie I have seen. The first was "We Will All Go to Paris" (1950). So far the guy is 2 for 2 with this viewer.

Last comment: more people should see this movie. It's an hour and a half of good, (mostly) clean fun, expertly conceived and executed. And nobody gets hurt. Just entertained.

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