7.2/10
4,861
83 user 30 critic

Clash by Night (1952)

Approved | | Drama, Film-Noir, Romance | 6 June 1952 (USA)
Trailer
2:24 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

ON DISC
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.

Director:

Fritz Lang

Writers:

Alfred Hayes (screenplay), Clifford Odets (play)
Reviews

Videos

Photos

Learn more

More Like This 

Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may be a murderess.

Director: Fritz Lang
Stars: Anne Baxter, Richard Conte, Ann Sothern
Human Desire (1954)
Drama | Film-Noir | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A Korean War vet returns to his job as a railroad engineer and becomes involved in an affair with a co-worker's wife following a murder on a train where they meet.

Director: Fritz Lang
Stars: Glenn Ford, Gloria Grahame, Broderick Crawford
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A serial killer has been killing beautiful women in New York, and the new owner of a media company offers a high ranking job to the 1st administrator who can get the earliest scoops on the case.

Director: Fritz Lang
Stars: Dana Andrews, Rhonda Fleming, George Sanders
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A deranged writer murders a maid after she resists his advances. The writer engages his brother's help in hiding the body, and then watches as the brother becomes the prime suspect.

Director: Fritz Lang
Stars: Louis Hayward, Lee Bowman, Jane Wyatt
Certificate: Passed Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

After being dumped by his girlfriend, an airline pilot pursues a babysitter in his hotel and gradually realizes she's dangerous.

Director: Roy Ward Baker
Stars: Richard Widmark, Marilyn Monroe, Anne Bancroft
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A novelist aided by his future father-in-law conspires to frame himself in the murder of a stripper as part of an effort to ban capital punishment.

Director: Fritz Lang
Stars: Dana Andrews, Joan Fontaine, Sidney Blackmer
Musical | Romance
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.

Director: Phil Karlson
Stars: Adele Jergens, Marilyn Monroe, Rand Brooks
Drama | Film-Noir | Mystery
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

When a lovely woman and her new husband settle in an ancient mansion on the East coast, she discovers that he may want to kill her.

Director: Fritz Lang
Stars: Joan Bennett, Michael Redgrave, Anne Revere
Niagara (1953)
Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.

Director: Henry Hathaway
Stars: Marilyn Monroe, Joseph Cotten, Jean Peters
Western
    1 2 3 4 5 6 7 8 9 10 7/10 X  

After the murder of his fiancée, a Wyoming ranch hand sets out to find her killer.

Director: Fritz Lang
Stars: Marlene Dietrich, Arthur Kennedy, Mel Ferrer
Drama | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

When a man in mid-life crisis befriends a young woman, her venal fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.

Director: Fritz Lang
Stars: Edward G. Robinson, Joan Bennett, Dan Duryea
Drama | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

After the Nazi administrator of Czechoslovakia is shot, his assassin tries to elude the Gestapo and struggles with his impulse to give himself up as hostages are executed.

Director: Fritz Lang
Stars: Brian Donlevy, Walter Brennan, Anna Lee
Edit

Cast

Complete credited cast:
Barbara Stanwyck ... Mae Doyle D'Amato
Paul Douglas ... Jerry D'Amato
Robert Ryan ... Earl Pfeiffer
Marilyn Monroe ... Peggy
J. Carrol Naish ... Uncle Vince
Silvio Minciotti Silvio Minciotti ... Papa D'Amato
Keith Andes ... Joe Doyle
Edit

Storyline

The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl. When the wife of Earl leaves him, he becomes depressed and Mae, who is bored with her loveless marriage, has an affair with him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

"My Guy is Afraid to Marry Me!" See more »


Certificate:

Approved | See all certifications »
Edit

Details

Country:

USA

Language:

English | Italian

Release Date:

6 June 1952 (USA) See more »

Also Known As:

Vor dem neuen Tag See more »

Filming Locations:

Monterey, California, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The Southern Pacific steam locomotive #2353 that passes Mae at the beginning of the film as she goes home from the cafe is now on display at the Pacific Southern Railway Museum east of San Diego, California. See more »

Goofs

At the beach Earl asks Mae...."Where did you get those blue, blue eyes?" Barbara Stanwyck in fact had brown eyes. See more »

Quotes

Earl Pfeiffer: Love is rotten when it happens like this - the hard way. But we want each other, this is the fire we have to walk through, because this is forever, Mae.
Mae Doyle D'Amato: Forever?
Earl Pfeiffer: Or until he sticks a knife in me, or you walk out.
Mae Doyle D'Amato: How could I walk out?
Earl Pfeiffer: And do the next thing, get away from here. If you have a dream, live it. If you have a hope, chase it.
See more »

Crazy Credits

and introducing Keith Andes See more »

Connections

Featured in Marilyn Monroe: Beyond the Legend (1987) See more »

Soundtracks

Don't Cry
(uncredited)
Music by Sunny Skylar
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A Late Gem From Lang By Way Of Odets
23 April 2001 | by telegonusSee all my reviews

Fritz Lang vastly improves on Clifford Odets' play by giving it legs; also surf, sand, sky and gulls. Barbara Stanwyck returns to the fishing village that hatched her now middle-aged and aimless. Her walk down the street early in the film is of the caliber of Gary Cooper. This is a woman who has lived and breathed pain and frustration all her life, and it shows in everything she does. Stanwyck has never better than she is here, and she dominates the film, vanquishing such heavyweight co-stars as Paul Douglas, Robert Ryan, J. Carroll Naish and Marilyn Monroe. Miss Stanwyck does not so much chew the scenery as stroke it; she is magnificent in this movie, which seems almost to flow from her. As her simple, trusting husband Paul Douglas is almost as good; and Robert Ryan nearly steals the show as a sadistic loser who is somehow magnetic, pathetic and yet highly observant, all at the same time. Odets' duologue is pungent and awfully good to hear. He was better than the Barton Fink caricature of several years ago. His lines ooze well thought-out ideas of cruelty and defeat, and his characters live in real, not stage or movie time. The settings are beautifully realized and explored by a very able and mobile cameraman, as for once a house in a movie actually feels lived in, frayed at the edges as real things are. Ryan's drunk scene on the screened porch benefits greatly from the credibility of the setting. Notable too is the seaside bar, which also has a porch, where a long and crucial scene takes place. It is something to see. People are always going up and down stairs in the film, which has an at times forbidding and an at other times engaging sense of the vertical. We get a taste throughout the picture of the lives of working people in the pre-Eisenhower fifties, when television was not yet ubiquitous and women collected their laundry in wicker baskets. Lang and the entire RKO team behind him deserve special praise for their efforts in this film, which frequently has the feel of Edward Hopper without ever actually suggesting the painter's work. Clash By Night offers us one direction the movies might have gone in the postwar period, and didn't. CinemaScope and 3D would sweep the nation the next year, and color was becoming more common. Soon, a specialized arty operation like RKO, which had retained at least some of its talent in the years after Howard Hughes bought the studio, would go the way of the dodo. Not until the seventies, with Scorsese and Mean Streets, would a stylized, individualized view of the real world begin to creep once more into the American film, albeit in a much different key.


40 of 48 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 83 user reviews »

Contribute to This Page

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed