The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Jim Deakins is a frontiersman and Indian trader who is making a perilous journey with a group of other men up the Missouri River to get a large haul of furs from friendly Blackfoot Indians. The problem is that they have to get through hostile Indian territory first and they find that they have seriously underestimated the difficulties they will undergo. The large body of men who started the journey are gradually whittled down until only a hardy few, like Deakins, are left.Written by
Howard Hawks recycled his protagonists singing "Whiskey Leave Me Alone" ten years later when he made Hatari with John Wayne in 1962. See more »
When Jim dances with the tavern girl, he holds his rifle butt up, but in the very next shot at the bar, he is holding the rifle muzzle up. See more »
Blackfeet... proud injuns. They ain't gonna let no white man spile their country. The only thing they'a feared of is a white man's sickness.
Grabs. White men don't see nothing pretty unless they want to grab it. The more they grab, the more they want to grab. It's like a fever and they can't get cured. The only thing for them to do is to keep on grabbin' until everything belongs to white men and then start grabbin' from each other. I reckon injuns got no reason to love nothing ...
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Instead of the traditional RKO morse code sound, the film's opening theme music is played over the RKO radio tower image. Later, a title card is displayed explaining the premise of the story. See more »
"The Big Sky" is one of the most unique and entertaining adventure films ever made. Set in the American frontier of the early 1800s, it's the story of an ambitious party who pole their keel boat up the Missouri River into new territories, far beyond where other white men have ventured, to trade for furs with the Blackfeet Indians.
"The Big Sky" was filmed on location, and this alone makes the film worth watching, for the splenor of the Snake River and Grand Tetons, where the film was actually shot, is breathtaking.
But "The Big Sky" has other virtues which raise it far above the average "scenic". First, is the multi-layered plot. Besides the story of an enterprise, "The Big Sky" is about how men, in a time long past, interacted, when their differences were subordinated to a higher purpose. Second, is director Howard Hawks, whose trademark "naturalistic dialogue" technique is put to wonderful use here. Hawks works on complex relationships - male and female, "Frenchie" and Anglo backwoodsmen, Native Americans and whites - like a conductor a symphony. Third, and perhaps most touching, is the tale of male bonding not only among the group of men, but one-on-one between Jim Deakins, played by Kirk Douglas, and Boone, his young sidekick, played by Hawks protegé Dewey Martin. There's a nice, touching story toward the end.
This is a shamefully underrated film. Superb cinematography (Oscar nominated), rich plot, flawless casting (Arthur Hunnicutt nominated for Best Supporting Oscar), masterful direction, make "The Big Sky" a true classic.
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