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109 user 73 critic

The Bad and the Beautiful (1952)

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An unscrupulous movie producer uses an actress, a director and a writer to achieve success.

Director:

Vincente Minnelli

Writers:

Charles Schnee (screenplay), George Bradshaw (story)
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Won 5 Oscars. Another 2 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
Lana Turner ... Georgia
Kirk Douglas ... Jonathan
Walter Pidgeon ... Harry Pebbel
Dick Powell ... James Lee Bartlow
Barry Sullivan ... Fred Amiel
Gloria Grahame ... Rosemary
Gilbert Roland ... 'Gaucho'
Leo G. Carroll ... Henry Whitfield
Vanessa Brown ... Kay Amiel
Paul Stewart ... Syd
Sammy White Sammy White ... Gus
Elaine Stewart ... Lila
Ivan Triesault ... Von Ellstein
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Storyline

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

The story of a blonde who wanted to go places, and a brute who got her there - the hard way! See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

9 February 1953 (Brazil) See more »

Also Known As:

Memorial to a Bad Man See more »

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Box Office

Budget:

$1,558,000 (estimated)

Gross USA:

$2,367,000, 31 December 1953

Cumulative Worldwide Gross:

$3,373,000, 31 December 1963
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

To somewhat soften the depiction of Shields, Vincente Minnelli cut a scene in which he accepts the Best Picture Oscar® for the film whose idea he had stolen from his best friend. In the scene, Shields devotes most of his speech to his late father, then makes only a brief mention of his friend at the end. See more »

Goofs

When Jonathan is having his dramatic outburst with Georgia in the foyer of his home after she has left her premiere party to see him, in the various perspective cuts, his hair alternates between being wildly disheveled to neat and combed in place. See more »

Quotes

Lila: I forgot to tell you, Georgia. I saw the picture. Thought you were swell.
See more »

Alternate Versions

Also available in a computer colorized version. See more »

Connections

Featured in The Best of Film Noir (1999) See more »

Soundtracks

Don't Blame Me
(uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
Performed by Peggy King
See more »

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User Reviews

 
2 Out Of 3 Ain't Bad
9 December 2005 | by ccthemovieman-1See all my reviews

A bit of a soap opera, this film was divided into three segments as people recalled their experiences with "Jonathan Shields," played well by Kirk Douglas.

"Shields" was a guy interested in making movies and he used people to get to the top. Three of these people tell of their dealings with him, and none of them have too many good things to say.

I liked the first and third segments but didn't care for the middle one with Lana Turner simply because Turner became so melodramatic, too hysterical for me. Barry Sullivan was excellent in the first part and helped get me into the story. He was the director who got "screwed" by Douglas.

Turner was the unknown actress whom Douglas turned into a star while the last part dealt with the key screenwriter for Douglas, played by Dick Powell. I thought Powell was the best of the four main characters of the film but his segment was the shortest, unfortunately. As good as he was, his wife was equally as annoying. She was played by the normally entertaining and alluring Gloria Grahame, who was anything but that in this role. She sounded ludicrous with her fake southern accent. How she won an Academy Award for this role is mind- boggling.

Some classify this movie as film noir, but I dispute that. It's simply a straight drama with soapish overtones. It's well-written, however, and keeps one's interest all the way, so I am not knocking this movie. It has a good things going for it.


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