Dave Hirsch, a writer and an army veteran winds up in his small Indiana hometown, to the dismay of his respectable older brother. He meets and befriends various different characters and tries to figure out what to do with his life.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.Written by
To somewhat soften the depiction of Shields, Vincente Minnelli cut a scene in which he accepts the Best Picture Oscar® for the film whose idea he had stolen from his best friend. In the scene, Shields devotes most of his speech to his late father, then makes only a brief mention of his friend at the end. See more »
When Jonathan is having his dramatic outburst with Georgia in the foyer of his home after she has left her premiere party to see him, in the various perspective cuts, his hair alternates between being wildly disheveled to neat and combed in place. See more »
Jonathan is more than a man, he's an experience. And he's habit-forming. If they could ever bottle him, he'd outsell ginger ale.
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Also available in a computer colorized version. See more »
One thing that I've always wondered is why no one looks at Hollywood more negatively than Hollywood itself. But whatever the reason, "The Bad and the Beautiful" pulls no punches in looking at its topic. The movie portrays some people explaining how they used to be friends of producer Jonathan Shields (Kirk Douglas) but have since turned against him. There's the director whom Shields promised a directing job but betrayed him, the writer who lost his wife to Shields's actions, and the actress whom Shields drove to madness.
I thought that one of the most effective scenes in the movie was Kirk Douglas holding Lana Turner in his arms. Here he is, this overbearing, hostile character forced to almost coddle his gorgeous female star; it might be showing how he may seemingly have exalted her, but he remains in a higher position and is merely using her and sending her into insanity. And the scene of her driving the car while completely upset elaborates on this idea.
And then, there's the writer. He and his wife move from Virginia hoping to get really big in Hollywood...until tragedy strikes. It all goes to show the disaster inherent in any industry (of course, Douglas's character exacerbates any problem). But anyway, this is a formidable part of cinema history; a precursor to movies like "The Player". Also starring Dick Powell, Walter Pidgeon and Gloria Grahame (who won Best Supporting Actress).
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