Twins (both played by Infante) are separated while very young, one raised as a singer by their widowed mother and another as the heir to one of Mexico's richest families. Their paths cross ...
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Title: Anxiety (1953)
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Cast
| Cast overview: | |||
| Pedro Infante | ... | Carlos Iturbe y Valdivia / Gabriel Lara / Rafael Lara | |
| Libertad Lamarque | ... | María de Lara | |
| Irma Dorantes | ... | Isabel Valdivia | |
| Arturo Soto Rangel | ... | Don Lorenzo | |
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Guillermo Samperio | ... | Policia |
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Salvador Quiroz | ... | Doctor |
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José Muñoz | ... | Asesino |
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Miguel Funes hijo | ... | Rafaelito (as Miguel Funes Jr.) |
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Hernán Vera | ... | Cantinero 1 |
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Felipe Montoya | ... | Agente teatral |
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Jorge Sareli | ... | Investigador privado |
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Chel López | ... | Taxista |
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José Pidal | ... | Invitado a fiesta |
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Marion de Lagos | ... | Enfermera |
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Plot Summary
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Storyline
Twins (both played by Infante) are separated while very young, one raised as a singer by their widowed mother and another as the heir to one of Mexico's richest families. Their paths cross in the future, but they are unable to recognize each other due to their very different social backgrounds. Written by Javier B.
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Details
Country:
MexicoLanguage:
SpanishRelease Date:
1 October 1953 (Mexico) See more »Also Known As:
Ansiedade See more »Filming Locations:
MexicoCompany Credits
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IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (RCA High Fidelity)Color:
Black and WhiteAspect Ratio:
1.37 : 1Frequently Asked Questions
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Where to begin? Perhaps by simply stating "this is a fine film." The black and white photography invites the viewer into an odd story of family intrigue capped by entertaining singing and song. I guess Ansiedad could be classified as a musical, but since all musical numbers are not stylized into the story (all music is on stage within the film reality - the characters are singers by trade) Ansiedad could be classified simply as drama. Hidden within this film is commentary on class structure, pursuing what one loves, and personal redemption. Pedro Infante turns in three fine performances. First as concerned father and husband of Libertad Lamarque, then as grownup twin sons. Apt camera angles and editing combines his twin roles simultaneously into several scenes. Not that I'm an expert, but this film stands as a fine example of the golden age of Mexican cinema.