A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
A serial killer has been killing beautiful women in New York and the new owner of a media company offers a high ranking job to the first of his senior executives who can get the earliest scoops on the case.
When Mrs. Tremayne is mysteriously poisoned with gas, ambulance driver Frank Jessup meets her refined but sensuous stepdaughter Diane, who quickly pursues and infatuates him. Under Diane's seductive influence, Frank is soon the Tremayne chauffeur; but he begins to suspect danger under her surface sweetness. When he shows signs of pulling away, Diane schemes to get him in so deep he'll never get out.Written by
Rod Crawford <firstname.lastname@example.org>
Prior to a 6/21/11 airing on TCM, Robert Osborne revealed that this was the final film of Jean Simmons under her contract with Howard Hughes--he'd bought it without her knowledge from J. Arthur Rank Studios in England. Her displeasure led her to cut her hair off, knowing that Hughes preferred long-haired leading ladies and thinking it might prevent him from utilizing her before the contract's end date. Instead, he put her in this film and she was given a wig to wear throughout. He also promised director Otto Preminger a bonus if he finished shooting before Simmons' contract expires, which he collected. See more »
(00:02:56) The shadow of the microphone at the top of the headboard is visible, right after Mrs. Tremayne says "Someone tried to murder me." Then the microphone (shadow) turns to the left towards another actor. See more »
Just saw this movie for the first time today and don't know why I've not seen it before; we taped it off TCM some time ago. It is haunting, as others have commented. I'm surprised that no one compares it to the admittedly somewhat overblown "Leave Her to Heaven" from 1945: the obsession with possession of those she loves by both Ellen and Diane is remarkable. I wonder if any scholars of women's film history have ventured here.
18 of 28 people found this review helpful.
Was this review helpful to you?
| Report this