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Affair in Trinidad (1952)

Not Rated | | Crime, Drama, Film-Noir | 29 July 1952 (USA)
Nightclub singer and her brother-in-law try to find her husband's killer.

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(screen play), (screen play) | 2 more credits »
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
... Chris Emery
... Steve Emery
Alexander Scourby ... Max Fabian
... Veronica Huebling
... Inspector Smythe
Howard Wendell ... Anderson
... Walters
... Doctor Franz Huebling
... Wittol
Walter Kohler ... Peter Bronec
... Dominique
Gregg Martell ... Olaf, Fabian's Chauffeur
... Martin, Wittol's Henchman
... Coroner
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Storyline

When Steve Emery arrives in Trinidad at the urgent request of his brother, he is stunned to find that his brother has not only been murdered, but that his brother's wife Chris is succumbing to the seduction attempts of the man who quite possibly is the murderer. His feelings are further exacerbated when he discovers that he, too, is becoming strongly attracted to Chris, who is a steamy cabaret singer. She, in turn, is playing off one against the other while betraying the secrets of both men to the police, for whom she is secretly working. Written by Alfred Jingle and Albert Sanchez Moreno

Plot Summary | Add Synopsis

Taglines:

You weren't the first ... and you won't be the last ! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

29 July 1952 (USA)  »

Also Known As:

Girl from Amen Valley  »

Filming Locations:


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Box Office

Budget:

$1,200,000 (estimated)

Gross USA:

$7,000,000, 31 December 1952
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The production of "Affair in Trinidad" is credited to the Beckworth Corporation, named for Rita Hayworth and her daughter Rebecca Welles, but Beckworth wasn't an actual production company. It was a tax dodge set up by Hayworth and Columbia Pictures president Harry Cohn to allow her fee for the film to be considered a capital gain rather than a salary, and therefore taxed at a lower rate. See more »

Goofs

When Steve returns to his brother's house with Chris after the inquest, the black wreath that had previously been on the front door is missing as they get out of the car but reappears as they approach the door. See more »

Quotes

Trinidad Band: [singing] A chick-a-chick boom, a chick-a-chick boom / Announces your in the room with the Trinidad Lady. / A chick-a-chick boom, a chick-a-chick boom / Your ticker goes boom-boom-boom for the Trinidad Lady.
Chris Emery: [singing] It's only that I do what I love and love what I do / Can't help the mad desire that's deep inside of you. / You realize the fault isn't mine, you are to blame / You want what you can't have, and you're just the same.
See more »

Connections

Edited into Voskovec & Werich - paralelní osudy (2012) See more »

Soundtracks

I've Been Kissed Before
(uncredited)
Written by Lester Lee and Bob Russell
Performed by Rita Hayworth (dubbed by Jo Ann Greer)
See more »

Frequently Asked Questions

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User Reviews

Trinidad Lady
10 October 2002 | by See all my reviews

On the orders of Columbia studio head Harry Cohn, Rita Hayworth was transformed from a latin B player to an A picture love goddess, her high spirits passing as all-American in titles like Cover Girl and Gilda. However the curse of the beautiful is that they become possessions by collectors, just as Rita told screenwriter of Gilda, Virginia Van Upp - "Men fell in love with Gilda but woke up with me". Her greatest collector was Prince Aly Khan, and the idea of capturing a movie star predated Grace Kelly and Prince Rainier in the 1950's. However the Hayworth/Khan marriage failed and Rita returned to Hollywood. Perhaps in a depression, unhappy with the vehicle provided for her comeback role, or simply older, Hayworth's sparkle had dimmed.

That's not to say that she doesn't look beautiful in the film. Whilst not lit as gorgeously as she was by Rudolph Mate in Gilda, she has a moment here standing in repose in shadow, smoking. But even with her character being a recent widow, her voice is dead and she carries herself like a somnambulist. She is best when she is dancing as she does twice here. In the first, Trinidad Lady, is the Carmen Rita - barefoot and tossing her dress. The framing distances us - director Vincent Sherman may be more interested in the crowd around the stage, but she looks happy performing. The second, I've Been Kissed Before, has obvious parallels to her Put The Blame on Mame from Gilda. She wears a shimmery black dress as fetishistic as the famous black satin sheath, the number is schematically arranged to present her as a tramp to later be rewarded with a face slap, even the choreography recalls that of Mame. However her announced intention to dance, even if contextualised, is a dramatic change of characterisation. She gives us the Gilda we want, and not the woman we have accepted up to this time - the one we have woken up with.

The Gilda connection is made in the film by the casting of Glenn Ford as her romantic partner, thankfully treating her a little kinder this time around, Steven Geray in an amusing supporting role as her employer, Alexander Scourby as a pseudo-George Macready but without the menace, the locale being Trinidad as Gilda was set in Buenos Aires and a plot about German-ish hoods investing in shady activities that pose a threat to security. Ford tells us he was a pilot in the war and since he isn't old enough to mean WW1, we know that Upp and her co-writers have written their screenplay in a rush, explaining Hayworth's own reluctance to participate.

Scourby is give the witty lines like "Some people are mellowed by drink. Have another" and "At the risk of dislocating your personality, try to be calm". He has a funny exchange with Ford about Hayworth - "I think you look lovelier in this color than any other. Don't you agree?" "There's a few shades I haven't seen her in yet". Valerie Bettis who created Rita's dances also appears as the wife of one of the Germans and her drunken energy is very welcome. She has a great laugh and even gets to parody Hayworth's dancing at one point, and Juanita Moore is good as Rita's maid. Sherman provides an exterior of an airport with seemingly limitless open skies, and gives Scourby's interior an imposing staircase.

This film is not a bomb, plot holes notwithstanding. Sherman moves things along and at least Hayworth isn't the embarrassment she was in the Hall of Mirrors sequence in The Lady from Shanghai. Perhaps Aly Khan took the best of her and Harry Cohn was left to salvage her career with the little she had left to give.


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