Affair in Trinidad (1952)

Nightclub singer and her brother-in-law try to find her husband's killer.

Director:

Vincent Sherman

Writers:

Oscar Saul (screen play), James Gunn (screen play)

Stars:

Rita Hayworth, Glenn Ford, Alexander Scourby

Nominated for 1 Oscar.

Cast

Complete credited cast:
Rita Hayworth	...	Chris Emery
Glenn Ford	...	Steve Emery
Alexander Scourby	...	Max Fabian
Valerie Bettis	...	Veronica Huebling
Torin Thatcher	...	Inspector Smythe
Howard Wendell	...	Anderson
Karel Stepanek	...	Walters
George Voskovec	...	Dr. Franz Huebling
Steven Geray	...	Wittol
Walter Kohler	...	Peter Bronec
Juanita Moore	...	Dominique
Gregg Martell	...	Olaf - Fabian's Chauffeur
Mort Mills	...	Martin - Wittol's Henchman
Ralph Moody	...	Coroner

Storyline

When Steve Emery arrives in Trinidad at the urgent request of his brother, he is stunned to find that his brother has not only been murdered, but that his brother's wife Chris is succumbing to the seduction attempts of the man who quite possibly is the murderer. His feelings are further exacerbated when he discovers that he, too, is becoming strongly attracted to Chris, who is a steamy cabaret singer. She, in turn, is playing off one against the other while betraying the secrets of both men to the police, for whom she is secretly working.

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Plot Keywords:

trinidad | seduction | murder | woman slaps a man | man slaps a woman | 

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Taglines:

Don't tell me I'm just one more !

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Genres:

Crime | Drama | Film-Noir | Mystery | Thriller

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

29 July 1952 (USA)

Also Known As:

Girl from Amen Valley

Filming Locations:

USA

Box Office

Budget:

$1,200,000 (estimated)

Company Credits

Production Co:

The Beckworth Corporation

Technical Specs

Runtime:

98 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Feature-film debut of Alexander Scourby.

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Goofs

When Max returns Chris to her house after the inquest, the black wreath that had been on the front door when Steve arrived earlier is missing as they get out of the car but reappears as they approach the door.

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Quotes

[first lines]
Narrator: Between North and South America lie the islands of the Caribbean. Colorful and exotic! Once remote and little known, history is forcing them out of obscurity into the current of world events. Important among these islands is the British colony: Trinidad.

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Connections

Featured in Rita (2003)

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Soundtracks

I've Been Kissed Before
(uncredited)
Written by Lester Lee and Bob Russell
Performed by Rita Hayworth (dubbed by Jo Ann Greer)

User Reviews

Trinidad Lady

On the orders of Columbia studio head Harry Cohn, Rita Hayworth was transformed from a latin B player to an A picture love goddess, her high spirits passing as all-American in titles like Cover Girl and Gilda. However the curse of the beautiful is that they become possessions by collectors, just as Rita told screenwriter of Gilda, Virginia Van Upp - "Men fell in love with Gilda but woke up with me". Her greatest collector was Prince Aly Khan, and the idea of capturing a movie star predated Grace Kelly and Prince Rainier in the 1950's. However the Hayworth/Khan marriage failed and Rita returned to Hollywood. Perhaps in a depression, unhappy with the vehicle provided for her comeback role, or simply older, Hayworth's sparkle had dimmed.

That's not to say that she doesn't look beautiful in the film. Whilst not lit as gorgeously as she was by Rudolph Mate in Gilda, she has a moment here standing in repose in shadow, smoking. But even with her character being a recent widow, her voice is dead and she carries herself like a somnambulist. She is best when she is dancing as she does twice here. In the first, Trinidad Lady, is the Carmen Rita - barefoot and tossing her dress. The framing distances us - director Vincent Sherman may be more interested in the crowd around the stage, but she looks happy performing. The second, I've Been Kissed Before, has obvious parallels to her Put The Blame on Mame from Gilda. She wears a shimmery black dress as fetishistic as the famous black satin sheath, the number is schematically arranged to present her as a tramp to later be rewarded with a face slap, even the choreography recalls that of Mame. However her announced intention to dance, even if contextualised, is a dramatic change of characterisation. She gives us the Gilda we want, and not the woman we have accepted up to this time - the one we have woken up with.

The Gilda connection is made in the film by the casting of Glenn Ford as her romantic partner, thankfully treating her a little kinder this time around, Steven Geray in an amusing supporting role as her employer, Alexander Scourby as a pseudo-George Macready but without the menace, the locale being Trinidad as Gilda was set in Buenos Aires and a plot about German-ish hoods investing in shady activities that pose a threat to security. Ford tells us he was a pilot in the war and since he isn't old enough to mean WW1, we know that Upp and her co-writers have written their screenplay in a rush, explaining Hayworth's own reluctance to participate.

Scourby is give the witty lines like "Some people are mellowed by drink. Have another" and "At the risk of dislocating your personality, try to be calm". He has a funny exchange with Ford about Hayworth - "I think you look lovelier in this color than any other. Don't you agree?" "There's a few shades I haven't seen her in yet". Valerie Bettis who created Rita's dances also appears as the wife of one of the Germans and her drunken energy is very welcome. She has a great laugh and even gets to parody Hayworth's dancing at one point, and Juanita Moore is good as Rita's maid. Sherman provides an exterior of an airport with seemingly limitless open skies, and gives Scourby's interior an imposing staircase.

This film is not a bomb, plot holes notwithstanding. Sherman moves things along and at least Hayworth isn't the embarrassment she was in the Hall of Mirrors sequence in The Lady from Shanghai. Perhaps Aly Khan took the best of her and Harry Cohn was left to salvage her career with the little she had left to give.