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IMDbPro

The Well

  • 19511951
  • ApprovedApproved
  • 1h 26m
IMDb RATING
7.2/10
805
YOUR RATING
Gwendolyn Laster and Richard Rober in The Well (1951)
  • Drama
  • Thriller
A small, racially-mixed American town succumbs to violence and utter mayhem after a white man suspected of kidnapping a missing black girl is released by the white authority.A small, racially-mixed American town succumbs to violence and utter mayhem after a white man suspected of kidnapping a missing black girl is released by the white authority.A small, racially-mixed American town succumbs to violence and utter mayhem after a white man suspected of kidnapping a missing black girl is released by the white authority.
IMDb RATING
7.2/10
805
YOUR RATING
  • Directors
    • Leo C. Popkin
    • Russell Rouse
  • Writers
    • Russell Rouse(written for the screen by)
    • Clarence Greene(written for the screen by)
  • Stars
    • Gwendolyn Laster
    • Richard Rober
    • Maidie Norman
Top credits
  • Directors
    • Leo C. Popkin
    • Russell Rouse
  • Writers
    • Russell Rouse(written for the screen by)
    • Clarence Greene(written for the screen by)
  • Stars
    • Gwendolyn Laster
    • Richard Rober
    • Maidie Norman
  • See production, box office & company info
    • 28User reviews
    • 20Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Nominated for 2 Oscars
      • 4 nominations total

    Photos6

    The Well (1951)
    The Well (1951)
    The Well (1951)
    Barry Kelley, Robert Osterloh, and Richard Rober in The Well (1951)
    Gwendolyn Laster and Richard Rober in The Well (1951)

    Top cast

    Edit
    Gwendolyn Laster
    • Carolyn
    Richard Rober
    Richard Rober
    • Ben Kellog
    Maidie Norman
    Maidie Norman
    • Mrs. Crawford
    George Hamilton
    • Grandfather
    Ernest Anderson
    Ernest Anderson
    • Mr. Crawford
    Dick Simmons
    Dick Simmons
    • Mickey
    Lane Chandler
    Lane Chandler
    • Stan
    Pat Mitchell
    • Peter
    Margaret Wells
    • Schoolteacher
    Wheaton Chambers
    • Woody
    Michael Ross
    Michael Ross
    • Frank
    Russell Trent
    • Chet
    Allen Mathews
    • Hal
    John Philips
    • Fred
    Walter Morrison
    • Art
    Christine Larson
    Christine Larson
    • Casey
    Jess Kirkpatrick
    Jess Kirkpatrick
    • Quigley
    Roy Engel
    Roy Engel
    • Gleason
    • Directors
      • Leo C. Popkin
      • Russell Rouse
    • Writers
      • Russell Rouse(written for the screen by)
      • Clarence Greene(written for the screen by)
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The only non-Best Picture Oscar nominee that year to be nominated for Best Editing.
    • Goofs
      The gang who was chasing the young man down the street are closer to the car before the scene change of the car driving off.
    • Connections
      Referenced in Eine Berliner Romanze (1956)

    User reviews28

    Review
    Top review
    Gripping Racial Drama
    Okay, we all know how poisonous rumor can be. Just repeating something doesn't make it so. Mix in a common human liking for embellishment, along with a readiness to believe the worst about certain groups of people, and you get tinder for explosive situations. This movie makes the most of such ordinary human tendencies. The first half amounts to a textbook example of how such tensions can break apart an any-town community. More importantly, the filmmakers do it in expert fashion. First, a little black girl goes missing. Then rumor feeds on old racial grudges, fractures erupt into violence, and race war looms beyond what local authorities can handle. Note how the scenes build on one another, spreading to ever more people like a virus. This first half is about as intense and well edited as any film of the period.

    The second half shows the community coming back together after the split. Happily, the races unite around a common concern to rescue the little girl from the well. This part's uplifting, especially when the movie shows individual skills combining across racial lines into an effective community action. But it also goes on too long, even after we've gotten the point. There's suspense here, but not enough to carry 45 minutes of drilling machinery. Nonetheless, the two halves do combine into a pretty powerful cautionary tale.

    I like the way the filmmakers mix average looking actors (Osterloh, Engle) with the ordinary townfolk. That, along with location backgrounds creates the needed any-town atmosphere. Too bad IMDb is unable to identify these filming locations— they deserve credit. On the whole, it's a really well acted drama, Harry Morgan's hapless Claude Packard being a special standout. Note how deftly he moves from anger to sorrow in the confrontational office scene with his uncle (Kelley). Rober's excellent too, as the standup sheriff. Someone, however, should have told the comedic Ed Max (the milkman) that this was not a comedy.

    There is one interesting angle to ponder. Suppose that initial scene of the girl falling into the well were eliminated. Then we wouldn't have the advantage of being able to judge the actions of the various individuals. For the movie's purposes, I think this first scene is required so that we can see how misguided the town's reactions are. Nonetheless, I think it's interesting to consider how our perceptions might alter were we unsure of the girl's fate at the outset.

    It's also worth noting that the folks here-- producer Popkin, director Rouse, and writer Greene—are also the folks responsible for that powerful noir classic DOA (1950). Add that gem to this one and we get a very talented team of independent filmmakers. Too bad they came together at the tail end of the B-movie era. Also, their brand of social-conscience filmmaking was about to freeze up in the face of the McCarthy-ite chill of the early 50's. Nonetheless, the lessons of this movie remain as valid and telling as they were 60 years ago, plus making for darn riveting film entertainment.
    helpful•16
    0
    • dougdoepke
    • Aug 8, 2010

    Details

    Edit
    • Release date
      • September 24, 1951 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Presahli bunar
    • Filming locations
      • Marysville, California, USA
    • Production companies
      • Harry Popkin Productions
      • Cardinal Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $450,000 (estimated)
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 26 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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