Scientists at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out!Written by
KC Hunt <email@example.com>
When Barnes is left to guard The Thing in the block of ice, he nervously whistles "Bury Me Not On The Lone Prairie". See more »
The first close view of the creature behind the door of the greenhouse is exiting and powerful, with wood chips flying everywhere when he takes a swing at the cast. But when viewed in slow motion it's obvious that his hand comes nowhere near the door and an explosive charge is used to blow out the wood towards the camera. Similarly when he draws his trapped hand back inside, chips blow outward and not inward as they would naturally. See more »
Only technical and production credits precede the film, no acting credits. See more »
In an old Laserdisc newsletter it said two scenes were added to the Laserdisc. The kissing scene already mentioned and a scene of the slaughtered scientist hanging upside down being bled to feed the seedlings. It was originally cut because it was considered too gory. The "Collector's Edition laserdisc" does not include these scenes. Side 1 is CLV and side 2 is CAV. Running time on this Laserdisc is 87 Min. The R1 DVD, while it includes the kissing scene, likewise does not restore the allegedly cut "upside down scientists" sequence. See more »
The Dying Cowboy aka Bury Me Not on the Lone Prairie
Portion whistled by William Self See more »
Rhythmic masterpiece of sci-fi
Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
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