Scientists at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out!Written by
KC Hunt <firstname.lastname@example.org>
Two months prior to principal photography, James Arness was brought in during the design and development of the make-up. See more »
In the middle of the film Ned Scott makes the crack to Captain Hendry "Oh, that's what I like about the army, smart all the way to the top". Assuming that the time was contemporary to the year the film was made (1951) then there a lot of ambiguities. The US Army Air Force ceased to exist on the 18th September 1947 and the C-47 ski-plane has the legend UNITED STATES AIR FORCE written on the side but the uniforms and insignia of the military personal are of the USAAF i.e. brown uniforms (colourized version), old style pilot's wings and Barnes being referred to as corporal and not airman 1st class as his chevrons would indicate. See more »
Wait a minute, Scotty. You won't need any boots. When it comes you go back with the others. You don't belong out here.
Ned "Scotty" Scott:
I didn't belong at Alamein or Bougainville or Okinawa. I was just kibitzing. And I write a very good obit, a obituary to use.
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Only technical and production credits precede the film, no acting credits. See more »
Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.
All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.
Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!
Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.
Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.
Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.
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