Scientists at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out!Written by
KC Hunt <firstname.lastname@example.org>
A potentially harmful myth was given new life in this film. When two men come in from the outside, one is complaining of a frostbitten hand. The other tells him "get some ice water on that hand". It's hard to imagine how this myth got started but it was a fairly wide spread beliefs from at least the 1940's to the 1960's that frost bite should be treated with more cold. This is absolutely false. See more »
When the ice pond holding the saucer is blown up with thermite, various shots of the crew from totally different angles show the same cloud formation in the background. See more »
Dr. Arthur Carrington:
Dr. Arthur Carrington:
At 12:10 AM the hand became alive. The temperature of the forearm showed a 20-degree rise. Because of this rise in temperature I believe it was able to ingest the canine blood with which it was covered. I believe...
Ned "Scotty" Scott:
You mean... You mean it lives on blood.
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Only technical and production credits precede the film, no acting credits. See more »
The original 16mm U.S. television syndication prints were a slightly abridged 85 minute version. About 1980, when Turner acquired the RKO library, the syndication prints were replaced with the 79 minute re-release version. This shorter re-release version was also used for the initial video and laserdisc releases as well as the pay-tv and "colorized" versions. See more »
One of the best science fiction pictures from the fifties, and one that helped define the genre, The Thing holds up remarkably well today. There's still considerable debate over whether producer Howard Hawks actually directed the film or credited director(and former editor) Christian Nyby. It's a Hawks production either way, and one of his best. The story of an alien invasion near the arctic circle, it builds slowly, relying heavily on the excellent, slangy dialogue of Charles Lederer, and the casual, jokey relationships between the various characters. This is lean, solid, old-fashioned moviemaking. There's not a wasted moment in this one. Hollywood in the studio era was especially good with stories of isolation, and this one's about as isolated as it gets. The monster is rarely seen, as we catch him only in horrifying glimpses, as the characters in the movie do. There's a standard brains versus brawn subtext in the film, but it's not emphasized to the movie's detriment. That the cast consists mostly of relative unknowns give the picture an almost documentary feeling at times, as if one were watching an actual event. Dimitri Tiomkin's spooky score helps spur the action on. This is a fine piece of commercial film-making, with everyone doing his job, and no "star turns". Nobody gets the upper hand here, not the actors, director, writer, cinematographer or alien. Everything comes together in the end. This is a perfect movie of its kind.
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