Story follows the training and personal lives of three recruits in the Army Air Corps --- a wealthy playboy, a college jock and an auto mechanic. Love interest is supplied by a female ... See full summary »
A retired professor rents his attic apartment to pregnant Peggy and her GI-Bill-student husband. The professor ponders if his life is no longer useful while the young couple faces the challenges shared with many WW II veterans' families.
Submarine commander Ken White is forced to suddenly submerge, leaving his captain and another crew member to die outside the sub during WW II. Subsequent years of meaningless navy ground assignments and the animosity of a former sailor, leave White (now a captain) feeling guilty and empty. His life spirals downward and his wife is about to leave him. Suddenly, he is forced into a dangerous rescue situation at the start of the Koren War.... reassigned to the same submarine where all of his problems began.Written by
You know you're in trouble when the voice-over narration is more gripping than the story...
Another military drama via submarine, this time giving William Holden his turn underwater. He plays a Naval Commander aboard the Tiger Shark in the final days of WWII; as second-in-command to the captain, he makes a decision in the midst of battle which costs the captain his life. Haunted by this alleged failure (which the captain's own widow tells him was not his fault), Holden hopes to redeem himself during the Korean War. One-part military drama, another part soul-searching soaper. Holden gets surly as his self-confidence plummets, lashing out at his new bride (Nancy Olson, who gave up a $300-a-week advertising job just to play housewife!), while disgruntled Chief Petty Officer William Bendix gives Holden such a rough time--when nobody else does--that his personal motives come under question. The dialogue is so rote that only exceptionally talented actors could get by with it, with Holden doing double-duty, narrating in flashback (a device which fared better for Holden in "Sunset Blvd."). Still, that grave voice-over gives the movie its only dramatic thrust, as what we're seeing on the screen is rather dull and predictable. Film is curiously stifled emotionally, though it has solid cinematography by Lionel Lindon. ** from ****
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