Strangers on a Train (1951)

A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.

Director:

Alfred Hitchcock

Writers:

Raymond Chandler (screen play), Czenzi Ormonde (screen play)

Stars:

Farley Granger, Robert Walker, Ruth Roman

Nominated for 1 Oscar. Another 2 wins & 1 nomination.

Cast

Complete credited cast:
Farley Granger	...	Guy Haines
Ruth Roman	...	Anne Morton
Robert Walker	...	Bruno Antony
Leo G. Carroll	...	Sen. Morton
Patricia Hitchcock	...	Barbara Morton
Kasey Rogers	...	Miriam Joyce Haines (as Laura Elliott)
Marion Lorne	...	Mrs. Antony
Jonathan Hale	...	Mr. Antony
Howard St. John	...	Police Capt. Turley
John Brown	...	Prof. Collins
Norma Varden	...	Mrs. Cunningham
Robert Gist	...	Det. Leslie Hennessey

Storyline

Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. His plan is relatively simple: Two strangers each agree to kill someone the other person wants gone. For example, Guy could kill his father and he could get rid of Guy's wife Miriam, freeing him to marry Anne Morton, the beautiful daughter of a U.S. Senator. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. When Guy balks, Bruno makes it clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. Guy had also made some unfortunate statements about Miriam after she had refused to divorce him. It all leads the police to believe Guy is responsible for the murder, forcing him to deal with Bruno's mad ravings.

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Plot Keywords:

psychopath | tennis | murder | swapping murders | oedipus complex | 

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Taglines:

A girl in love with young America's idol--and a good-looking stranger in search of sensation--that's how it all began..! Warner Bros. bring a pounding new tempo to motion picture entertainment!

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Genres:

Crime | Film-Noir | Thriller

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Motion Picture Rating (MPAA)

Rated PG for some violence and tension

Did You Know?

Trivia

Filming was completed just before Christmas 1950.

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Goofs

When the detectives lose Guy outside the Forest Hills tennis stadium, they are standing on a curb with a black car parked down the street behind them, before Hennessey dashes out across the street and flags down another vehicle. When he jumps in and asks the woman in the back seat to let them follow Guy's cab, the same street and parked black car are seen through that vehicle's rear window, even though that car was plainly stopped coming from a different street and a different direction.

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Quotes

[first lines]
Guy Haines: Oh, excuse me.
Bruno Anthony: I beg your pardon, but aren't you Guy Haines?

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Alternate Versions

There are several differences in the British version of the film, including:

• The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno;
• In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added;
• The very last scene in the US version, which involves a clergyman, was deleted.

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Connections

Referenced in Last Embrace (1979)

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Soundtracks

The Band Played On
(1895) (uncredited)
Music by Chas. B. Ward
Lyrics by John F. Palmer
Sung by Kasey Rogers, Tommy Farrell, Roland Morris and Robert Walker while riding the merry-go-round
Played often throughout the picture

User Reviews

A stunning thriller from the master of suspense

Alfred Hitchcock has made many brilliant thrillers, and many of them have gone on to be hailed as some of the greatest films of all time. One film that tends to get somewhat lost under the Vertigo's and the Psycho's is this film; Strangers on a Train, the most compelling film that Hitchcock ever made. The story follows Guy Haines, a tennis player and a man soon to be wed to the Senator's daughter, if he can get a divorce from his current wife. One day, on the way to see his wife, he meets the mentally unstable Bruno Anthony aboard a train and soon gets drawn into a murder plot that he can neither stop nor stall; and one that could ultimately cost him his life.

The conversation aboard the train between Bruno and Guy is one of the cinema's most intriguing and thought provoking of all time. What if two people "swapped" murders, thus resolving themselves of all suspicion of the crime, and rendering their motive irrelevant? Could this truly be the perfect murder? What makes this film all the more frightening is that the events that Guy is lead into could happen to any, normal everyday person. Everyone has someone they'd like to get rid of, so what if you met an insane man aboard a train that does your murder for you and then forces you to do his? The chances of it happening are unlikely, but it's the idea that anyone could be a murderer that is central to the message of Strangers on a Train; and in this situation, anyone could.

Is there any actor on earth that could have portrayed the character of Bruno Anthony any better than Robert Walker? The man was simply born for the part. He manages to capture just the right mood for his character and absolutely commands every scene he is in. The character of Bruno is a madman, but he's not a lunatic; he's a calculating, conniving human being and Robert Walker makes the character believable. His performance is extremely malevolent, and yet understated enough to keep the character firmly within the realms of reality. Unfortunately, Robert Walker died just one year after the release of Strangers on a Train, and I believe that is a great loss to cinema. Nobody in the cast shines as much as Walker does, but worth mentioning is his co-star Farley Granger. Granger never really impresses that much, but his performance is good enough and he holds his own against Walker. Also notable about his performance is that he portrays his character as a very normal person; and that is how it should be. Ruth Roman is Guy's wife to be. She isn't really in the film enough to make a lasting impression, but she makes the best of what she has. Alfred Hitchcock's daughter, Patricia, takes the final role of the four central roles as Barbara, the sister of Guy's fiancé. She is suitably lovely in this role, and she tends to steal a lot of the scenes that she is in.

Alfred Hitchcock's direction is always sublime, and it is very much so in this film. There is one shot in particular, that sees the murder of the film being committed in the reflection of a pair of sunglasses. This is an absolutely brilliant shot, and one that creates a great atmosphere for the scene. Hitchcock's direction is moody throughout, and very much complies with the film noir style. The climax to the film is both spectacular and exciting, and I don't think that anyone but Hitchcock could have pulled it off to the great effect that it was shown in this film. It's truly overblown, and out of turn from the rest of the movie; but it works. There is a reason that Hitchcock is often cited as the greatest director of all time, and the reason for that is that he doesn't only use the script to tell the film's story, but he also uses to camera to do so as well. Strangers on a Train is one of the greatest thrillers ever made. Its story is both intriguing and thought provoking, and is sure to delight any fan of cinema. A masterpiece.

Details

Country:

USA

Language:

English French

Release Date:

30 June 1951 (USA)

Also Known As:

Alfred Hitchcock's 'Strangers on a Train'

Filming Locations:

West Side Tennis Club - 1 Tennis Place, Forest Hills, Queens, New York City, New York, USA

Box Office

Budget:

$1,200,000 (estimated)

Cumulative Worldwide Gross:

$534

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

101 min 96 min (cut) 103 min (preview)

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1