Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. His plan is relatively simple: Two strangers each agree to kill someone the other person wants gone. For example, Guy could kill his father and he could get rid of Guy's wife Miriam, freeing him to marry Anne Morton, the beautiful daughter of a U.S. Senator. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. When Guy balks, Bruno makes it clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. Guy had also made some unfortunate statements about Miriam after she had refused to divorce him. It all leads the police to believe Guy is responsible for the murder, forcing him to deal with Bruno's mad ravings.Written by
When this movie was released in Germany in 1952, about five minutes were removed which were considered too brutal or sadistic. Later, the scenes were re-added for television, but they are subtitled, while the rest of the movie is dubbed. See more »
During the Forest Hills tennis match, Guy's shadow moves from behind him, to in front of him, to his left, and to his right, even within a given game. Curiously, his shadow is always long, regardless of direction, so none of these shots were made during midday. See more »
Oh! You Beautiful Doll
Music by Nat Ayer
Played when Bruno is helping the blind man cross the street
Also played when the police arrive during the last amusement park scene See more »
Very good Hitch film about a tennis champion who becomes involved with psychopath in exchange killings
Top-notch Hitch film dealing with a girl in love with young America's idol , a Tennis star named Guy Haines who becomes involved with a good-looking stranger , Bruno Anthony, in search of sensation that's how it all began..! Warner Bros bring a pounding new tempo to motion picture entertainment. A psychotic socialite (Robert Walker as unforgettable psycho) confronts a pro tennis star (Farley Granger) with a theory on how two complete strangers can get away with murder...a theory that he plans to implement . Guy Haines meets a stranger on the Washington-to-New York train who offers to exchange murders. The stranger will kill Guy's estranged wife if Guy will murder Bruno's hated father. Guy doesn't take Bruno seriously until his spouse , Miriam (Laura Elliott), is found killed in an amusement park . Guy becomes the chief suspect, which threatens his tennis career and his romantic involvement with a U.S. senator (Leo G. Carroll)'s daughter (Ruth Roman) .
Hitchcock first visited Hollywood in 1940, but was turned down by virtually all major motion picture studios because they thought he could not make a "Hollywood" picture. He was finally offered a seven-year directing contract by producer David O. Selznick. His first project was supposed to be a film about the Titanic, but Selznick scrapped the project because he "couldn't find a boat to sink." Selznick assigned Hitch to direct Rebeca (1940) instead, which later won the Best Picture Oscar . Later on , Hitchcock shot ¨Strangers on a train¨.
Tense/suspense/mystery abounds in this thriller from Hithcock who combines the elements of intrigue with romance, drama and action . Thrilling and interesting screenplay based on a Patricia Highsmith novel and co-scripted by novelist Raymond Chandler and uncredited the prestigious Ben Hecht . Robert Walker and Farley Granger give their finest acting as psychopath and tennis star respectively . Hitchock married Alma Reville , usually screenwriter ,and had one daughter, Patricia Hitchcock, who appeared in several of his movies: Stage fright (1950), and Psicosis (1960) and Strangers on the train where she plays splendidly the distrusted sister .Frequent collaborator the director of photography Robert Burks creates a stunning cinematography . Suspenseful and atmospheric original music by the classic Dimitri Tiomkin.
Hitchcock often used the ¨false guilty¨ or "wrong man" or "mistaken identity" theme in his movies Sabotage (1942), I confess (1953), Wrong man (1956), North by Northwest (1959), Frenesí (1972) and of course Stranger on a train . In a lot of his films -more noticeably in the early black and white American films-, he used to create more shadows on the walls to create suspense and tension . Hitch hated to shoot on location , he preferred to shoot at the studio where he could have full control of lighting and other factors. Rating : Above average , well worth watching . This good thriller by the master himself, who preys on the senses and keeps the suspense at feverish pitch . Worthwhile seeing thanks some Hitch's touches .
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