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St. Benny the Dip (1951)

Approved | | Comedy, Crime | 24 August 1951 (USA)
A gang of con artists disguise themselves as clerics in order to pull off a job, but soon find that even pretending to be religious people is having an effect on them.

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Cast

Complete credited cast:
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William A. Lee ...
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Reverend Miles (as Richard Gordon)
Jean Casto ...
Edward Wells ...
Patrolman McAvoy (as Eddie Wells)
James Bender ...
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Storyline

A gang of con artists disguise themselves as clerics in order to pull off a job, but soon find that even pretending to be religious people is having an effect on them.

Plot Summary | Plot Synopsis

Taglines:

Hear! Dick Haymes Sing "I Believe" See more »

Genres:

Comedy | Crime

Certificate:

Approved | See all certifications »
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Details

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Release Date:

24 August 1951 (USA)  »

Also Known As:

Entre pícaros andamos  »

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Technical Specs

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Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Freddie Bartholomew's last film before retiring from acting. See more »

Goofs

When Linda talks about being an operatic star, Benny finishes pouring her drink and putting the bottle down twice in two different shots. See more »

Connections

Featured in The World Famous Kid Detective (2014) See more »

Soundtracks

I Believe
Words and Music by Robert W. Stringer
See more »

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User Reviews

 
Delightful
18 September 2004 | by See all my reviews

Considering its a Danziger Brothers poverty row production, St. Benny the Dip is blessed with a marvelous cast. Dick Haymes, Lionel Stander, and Cosmo Topper himself, Roland Young, play a trio of small time hoodlums who disguise themselves as priests to escape a police dragnet. Finding themselves in an abandoned Bowery mission, the threesome take their masquerade to extremes, holding services and feeding the poor. This marvelous tale of redemption also stars a luminous Nina Foch as love interest and Freddie Bartholomew in his final screen appearance. This is perhaps the first and so far only noir-comedy ever made, with some very fine black and white location photography by Don Malkames, whose career took him from Yiddish pictures to 'race' films. John Roeburt's screenplay is consistently intelligent and amusing. The film's low budget is apparent, but its clear everyone involved was working very hard to make a quality picture, and they succeeded.


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