Edward Jekyll, ignorant of how his father had brought forth death and destruction with his experiments, is pursuing a chemist career despite the fact that he has been discharged from school...
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Edward Jekyll, ignorant of how his father had brought forth death and destruction with his experiments, is pursuing a chemist career despite the fact that he has been discharged from school or his unorthodox experimentations. When the time comes for his father's estate, which had been put in trust, Edward first learns of his father's actions and rather than ignore the matter, sets out to prove that human personality can be changed by certain chemical stimulations. But he hasn't reckoned on Dr. Curtis Lanyon, a prominent doctor and close friend of the family. Lanyon wants to get his hands on the estate and resorts to murder and frame-ups to make Edward appear to be as insane as his father.Written by
Les Adams <firstname.lastname@example.org>
Rather than following in father's footsteps, this (obviously lookalike) progeny takes it upon himself to clear the old family name – but is misunderstood at every turn. Ponderous offshoot of a well-worn formula (pardon the pun), acted for more than its worth; nowhere near as wacky as Edgar G. Ulmer's DAUGHTER OF DR. JEKYLL (1957), but just as watchable under the circumstances. Indeed, the fanciful kinsmen of famous literary monsters were a staple from the 1930s onwards and, while some of the end results were not only commendable but remarkable, it generally meant that the rot had set in that particular source and that exploitation film-makers were milking a catchpenny moniker for all it was worth. To spice things up a bit here, Louis Hayward (as the titular character) is brought up by Jekyll's attorney Utterson (Lester Matthews) as his own son and is only told of his heritage – by Jekyll's duplicitous(!) colleague Dr. Lanyon (Alexander Knox) – when he is – here it comes again – booted out of college for his unorthodox experiments! Familiar character actors Paul Cavanaugh and Rhys Williams – as, respectively, the investigating Inspector and the proverbial butler – also put in an appearance but have fairly little of note to do. Curiously enough, although Hayward does get to don the "Mr. Hyde" make-up in the film's prologue, the actual monster in the film proper is somebody else – though contriving to expire in the exact same new way devised by the film-makers earlier on: falling to his death from a window ledge!!
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