Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is ... See full summary »
The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie LaVerne and her husband are the stars of the show. After a snitch on board calls the local police that Julie (who's half- African-American) is married to a white man, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks' daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the "Cotton Blossom" for a whirl-wind honeymoon and to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confronts Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to fend ...Written by
It was the truncated Show Boat sequence in Till the Clouds Roll By (1946) that prompted MGM to produce a full-fledged remake of the property. Before production started, the studio purchased the prints and negatives of Universal Pictures' two previous film versions of the property, and ceased further distribution of both so as not to compete with the remake's box office take. The 1929 part-talkie was, for decades, believed to be lost, and did not resurface until its laserdisc release in the 1990s, with the legendary Ziegfeld prologue surviving only in audio form. The faithful, highly regarded 1936 version was unable to be seen for thirty years, turning up in the mid-1980s on the early cable television network Wometco Home Theater, and finding its way to videocassette shortly thereafter. See more »
When the townspeople are rushing to see the show boat at the beginning, the camera crew's shadow is visible on the road. See more »
[on hearing Magnolia try to sing at the Trocadero]
Take her back to the river... hee, hee, hee!
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Some prints of this film spell Leif Erickson's name the correct way in the opening credits; others spell it as "Lief Erickson". See more »
In most 1980's television prints and videocassette releases of the film, we see stills of the Mississippi River during the credits, rather than seeing "moving shots" of it, as in the original theatrical release, later videocassette prints, the DVD, and TV showings. See more »
Please people! Try not to over-analyze, like so many others have done in the other comments about this fabulous Techno-color classic from the early 1950's Hollywood. It isn't supposed to be a carbon-copy remake of the older 1936 version nor is it supposed to be making any sort of PC statements about race! Times changed and so did the attitudes and views of most americans, especially after WWII. Take it for what it is! A great musical wrapped around a love story. Beautiful lead actress, strong male lead and awesome broadway style tunes sung by great voices, especially William Warfield's "Old man River"!
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