Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Fed up with his wife Blandine, an alcoholic shrew, Paul Braconnier decides to get rid of her. But before taking action, the sly fox first consults a lawyer and skilfully finds out from him about the best way to go about murdering her. Back home, as his wife tries to poison him, Paul stabs her to death. The lawyer, who had talked too much, has no other choice but to have his client acquitted, even though this one cheerfully admits his guilt to the court. Paul returns to his village hailed as the local hero.Written by
Because the actor did not like doing retakes, Guitry accomodated Michel Simon by filming all of his shots in only one take.The actor later said in an interview, that La Poison was the most enjoyable experience he had making a movie in his entire long career. See more »
There are no normal opening credits, director Sacha Guitry introduces everyone in the film. See more »
Michel Simon is married to Germaine Reuver and they hate each other. He complains about her to everyone in town. One night, he hears Jean Debucourt on the radio. Debucourt is a lawyer who has won his hundredth acquittal and is interviewed on the subject. So Simon goes to the lawyer and confesses that he has killed his wife, draws out the details of how he has done it -- with an eye towards acquittal -- nd goes home to kill her. When Debucourt shows up, Simon proceeds to blackmail the lawyer into mounting his defense in this excessively funny black comedy from Sacha Guitry.
If you want someone to play a monster and yet be very human and funny, you could never do any better than Michel Simon. Watching his ego grow, from that of a man frightened to go home to one lecturing judges in court, he makes everyone his straight man, thanks to Guitry's script (obviously written for his star's talents).
Guitry offers his credits in an unusual manner: he strolls around the set, complimenting his major collaborators, who appear as themselves -- although a couple who are heard only over the radio are thanked over the phone. It's a thoroughly theatrical invention from an artist who straddled stage and screen.
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