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A Place in the Sun (1951)

Passed | | Drama, Romance | 11 October 1951 (France)
A poor boy gets a job working for his rich uncle and ends up falling in love with two women.

Director:

George Stevens

Writers:

Theodore Dreiser (novel), Patrick Kearney (play) | 2 more credits »
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Popularity
3,765 ( 4,766)

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Won 6 Oscars. Another 8 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Montgomery Clift ... George Eastman
Elizabeth Taylor ... Angela Vickers
Shelley Winters ... Alice Tripp
Anne Revere ... Hannah Eastman
Keefe Brasselle ... Earl Eastman
Fred Clark ... Bellows
Raymond Burr ... Dist. Atty. R. Frank Marlowe
Herbert Heyes ... Charles Eastman
Shepperd Strudwick ... Anthony Vickers
Frieda Inescort ... Mrs. Ann Vickers
Kathryn Givney ... Louise Eastman
Walter Sande ... Art Jansen - George's Attorney
Ted de Corsia ... Judge R.S. Oldendorff
John Ridgely ... Coroner
Lois Chartrand Lois Chartrand ... Marsha
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Storyline

The young and poor George Eastman (Montgomery Clift) leaves his religious mother and Chicago and arrives in California expecting to find a better job in the business of his wealthy uncle Charles Eastman. His cousin Earl Eastman advises him that there are many women in the factory and the basic rule is that he must not hang around with any of them. George meets the worker of the assembly line, Alice Tripp, in the movie theater and they date. Meanwhile, the outcast George is promoted and he meets the gorgeous Angela Vickers at a party thrown at his uncle's house. Angela introduces him to the local high society and they fall in love with each other. However, Alice is pregnant and she wants to get married with George. During a dinner party at Angela's lake house with parents, relatives, and friends, Alice calls George from the bus station and gives him thirty minutes to meet her; otherwise she will crash the party and tell what has happened. George is pressed by the situation which ends ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

I'm in trouble, George... bad trouble See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 October 1951 (France) See more »

Also Known As:

An American Tragedy See more »

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Box Office

Budget:

$2,295,304 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Shelley Winters developed mixed feeling toward director George Stevens for making her look so unglamorous alongside Elizabeth Taylor. Her role, moreover, typecast her in mousy or brassy parts for years. Winters said she drove white Cadillac convertibles (similar to Taylor's in the film) for years afterward to compensate for her intense feelings of inferiority while making the film. See more »

Goofs

When Angela faints, she falls too slowly, thus making no sound hitting the floor. Clearly the actress Taylor is trying to break her fall, because she is not using a stunt double. A true faint would be a hard fast thudding fall. See more »

Quotes

Angela: [George kisses Angela] Angela: Every time you leave me for a minute, it's like goodbye. I like to believe it means you can't live without me.
See more »

Connections

Featured in Joy (2015) See more »

Soundtracks

Pouplet d'Or
(uncredited)
Music by Robert Emmett Dolan
See more »

Frequently Asked Questions

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User Reviews

 
Clift, Taylor, Stevens and a spellbinding American tragedy
28 February 2007 | by littlemartinarocenaSee all my reviews

Time does extraordinary things with greatness. If nothing else it confirms it. "A Place in the Sun" is a remarkable example of that theory. I rushed to buy a DVD after watching a BBC documentary on ELizabeth Taylor to celebrate her 75th birthday! In "A Place on the Sun" an Elizabeth Taylor barely out of her teens is paired with Montgomery Clift. She had been raised at MGM and groomed for movie stardom from day one. He was a method actor, complex, introspective and their coupling produced something that I'm tempted to call, unrepeatable. The actors own personal stories, their friendship, mutual love and respect made it possible for their communion to be so transcendental. To make things even more perfect, the film seems a love letter from director George Stevens to his stars and vice versa. Look at the opening credits and tell me if you've ever seen a more startling introduction to a character/star. The story of doomed love and descend into darkness is, without question, one of the best ever made.


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