The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
The young and poor George Eastman (Montgomery Clift) leaves his religious mother and Chicago and arrives in California expecting to find a better job in the business of his wealthy uncle Charles Eastman. His cousin Earl Eastman advises him that there are many women in the factory and the basic rule is that he must not hang around with any of them. George meets the worker of the assembly line, Alice Tripp, in the movie theater and they date. Meanwhile, the outcast George is promoted and he meets the gorgeous Angela Vickers at a party thrown at his uncle's house. Angela introduces him to the local high society and they fall in love with each other. However, Alice is pregnant and she wants to get married with George. During a dinner party at Angela's lake house with parents, relatives, and friends, Alice calls George from the bus station and gives him thirty minutes to meet her; otherwise she will crash the party and tell what has happened. George is pressed by the situation which ends ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Shelley Winters developed mixed feeling toward director George Stevens for making her look so unglamorous alongside Elizabeth Taylor. Her role, moreover, typecast her in mousy or brassy parts for years. Winters said she drove white Cadillac convertibles (similar to Taylor's in the film) for years afterward to compensate for her intense feelings of inferiority while making the film. See more »
When Angela faints, she falls too slowly, thus making no sound hitting the floor. Clearly the actress Taylor is trying to break her fall, because she is not using a stunt double. A true faint would be a hard fast thudding fall. See more »
[George kisses Angela]
Angela: Every time you leave me for a minute, it's like goodbye. I like to believe it means you can't live without me.
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Clift, Taylor, Stevens and a spellbinding American tragedy
Time does extraordinary things with greatness. If nothing else it confirms it. "A Place in the Sun" is a remarkable example of that theory. I rushed to buy a DVD after watching a BBC documentary on ELizabeth Taylor to celebrate her 75th birthday! In "A Place on the Sun" an Elizabeth Taylor barely out of her teens is paired with Montgomery Clift. She had been raised at MGM and groomed for movie stardom from day one. He was a method actor, complex, introspective and their coupling produced something that I'm tempted to call, unrepeatable. The actors own personal stories, their friendship, mutual love and respect made it possible for their communion to be so transcendental. To make things even more perfect, the film seems a love letter from director George Stevens to his stars and vice versa. Look at the opening credits and tell me if you've ever seen a more startling introduction to a character/star. The story of doomed love and descend into darkness is, without question, one of the best ever made.
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