In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired ...
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Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.
Don Camillo is now a bishop, Peppone is now a senator, but their rivalry is as fierce as when they were just a village priest, and a village administrator. Don Camillo learns that Peppone ... See full summary »
The village of mayor Peppone and Don Camillo, after much dispute, gets a assigned a sister village in Russia. When Peppone and his comrades decide to attend the ceremony on the other side ... See full summary »
Rich oriental lord Cassim's cheeky servant Ali Baba was sent to buy a meaty girl-slave, but brings dancer Morgiane, whom he is enamored with. When he's part of a caravan robbed by Abdel's ... See full summary »
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving a soporific soup to the guests, to rob their possessions and ... See full summary »
Mayor Peppone might very well lose the elections and Don Camillo makes sure that the mayor's delinquent son gets his act together while his own niece makes Peppone think she is pregnant by ... See full summary »
1) Jerôme Chambard, a retired man, taken in by nuns in a convent, swears like a trooper. 2) Françoise takes a lover because he has promised her a diamond necklace. 3) Denis, a seminarist, ... See full summary »
After thirteen years in Germany, Fernand is coming back to his wife and his restaurant. But since his disparition, his wife as made her life with a norman chef, sympathetic but a specialist... See full summary »
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are as hard as the country, they are good in the bottom of their heart.Written by
Jean-Marie Berthiaume <firstname.lastname@example.org>
The whole film was shot twice; there is a French and an Italien negative, that can be distinguished by details in editing and content (watch the position of the dog during the procession for example). See more »
Where did you get that cigar, Camillo?
Peppone had two. I think I took it without asking him. You know he believes in equal distribution of wealth.
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German version runs 2 minutes shorter than the Italian original version. See more »
A marvellous, warm, charming, adorable Italian film.
...Actually, of all those adjectives, `Italian' was the first to leap to mind. I can't believe the IMDb has decided to classify this film under a French name. `Things happen there that could happen nowhere else in the world,' says the narrator. It's easy to believe.
The Catholics and the communists are battling for the soul of a small village. It's to be hoped that neither side ever wins. Nor is it likely that either side ever will win. This would spoil everyone's fun.
The communist mayor, is, so to speak, the Anglican of the two: someone who will gruffly talk about burning all the capitalists, while letting it be understood that he doesn't really intend his words to be taken literally. The priest (Don Camillo) is hot-headed, as fiercely loyal to the Catholic Church as the mayor is to his party, at once highly intelligent and preternaturally simple minded. He's the kind of Catholic who avoids absurdity by the time-honoured trick of simply not thinking about the doctrines to which he officially subscribes. His `prayers' are impromptu conversations with Jesus, or perhaps simply with the icon of Jesus that hangs on his wall - whichever it is, the film humours his fancy by having Jesus (or the icon) talk back to him. To this day I'm not sure if Jesus (or the icon) is REALLY talking back, or if it's just Don Camillo's imagination. What does it matter? It is, after all, no more than a private eccentricity. It's not as if he talks to or about Jesus in PUBLIC.
No one - not atheists, not communists, not Christians, not Norse pagans - could object to the film's big-hearted fantasy, or fail to like either of the two very likeable protagonists. I gather there are several sequels: the one I've seen isn't nearly as good; and the original feels so much like an archetype that I suspect any sequel would be little more than a footnote.
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