Ventriloquist Jerry Morgan has to see another love affair fail. The reason: when the relationship reaches the point when it is time to discuss marriage, his doll Clarence becomes mean and ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Barbara Bel Geddes,
Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his... See full summary »
Jacobowsky, a Jewish refugee, flees from the Nazis with an aristocratic, anti-semitic Polish officer trying to get papers to England. Jurgens learns to appreciate Kaye, despite their ... See full summary »
Ellen McNulty loses her hamburger joint and goes to see her son, who marries a socialite at the same time. Due to her modest background and a case of mistaken identity, Ellen poses as the newlyweds' cook.
Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that even Duran's beautiful wife (Gene Tierney) is fooled by it. When Duran's business interests compel him to be in London when he should be hosting a large soiree at his home, Martin is persuaded to impersonate Duran at the party. But matters threaten to get out of hand when Martin (as Duran) is confronted by several of the philanderer's women, and by Duran's ruthless business rival, M. Periton (Jean Murat).Written by
Dan Navarro <email@example.com>
When Danny Kaye changes costumes in his cabaret act, he puts on a Scottish kilt, but he puts it on backwards. Scottish kilts are always worn with the pleats in the back; Danny's are in the front. See more »
My axiom is that any movie featuring Gene Tierney deserves to be viewed, and "On the Riviera" is one of them. The plot is a moderately funny comedy of errors, with Danny Kaye in the roles of an American cabaret-entertainer and of his double, a French hero-aviator. The acting is generally good. The photography is accurate, with bright, spirit-raising colors, worthy of the beauties of the Cote d' Azur (but the movie appears to have been largely made elsewhere). Kaye performs a number of nice, though longish, ballets. Gene Tierney has the opportunity to show her talent just in one scene, when she is uncertain whether she has slept with her actual husband, the pilot, or with his American double (by the way: a bit salacious situation for the early fifties, isn't it?). With her usual professionalism, Gene doesn't steal the show to the pretty Corinne Calvet, who in fact has a larger role. In any case, as soon as Gene appears on the screen, the movie soars: the splendor of her eyes obscures the sky and sea of Provence. After all, "On the Riviera" is an enjoyable movie, especially for fans of old classics.
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