Miracle in Milan (1951)

An open hearted and unrelentingly energetic orphan struggles to make the best out of his life on the streets of Milan.

Director:

Vittorio De Sica

Writers:

Cesare Zavattini (novel), Cesare Zavattini (screenplay)

Stars:

Emma Gramatica, Francesco Golisano, Paolo Stoppa

Nominated for 2 BAFTA Film Awards. Another 4 wins & 1 nomination.

Cast

Complete credited cast:
Emma Gramatica	...	La vecchia Lolotta
Francesco Golisano	...	Totò
Paolo Stoppa	...	Rappi
Guglielmo Barnabò	...	Mobbi
Brunella Bovo	...	Edvige
Anna Carena	...	Marta, la signora altezzosa
Alba Arnova	...	La statua che prende vita
Flora Cambi	...	L'innamorata infelice
Virgilio Riento	...	Il sergente delle guardie
Arturo Bragaglia	...	Alfredo
Erminio Spalla	...	Gaetano
Riccardo Bertazzolo	...	L'atleta
Checco Rissone	...	Il comandante in secondo (as Francesco Rissone)
Angelo Prioli	...	Il comandante in primo

Storyline

An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. When Totò goes out in the world, he expects everyone to be open-hearted as himself, but it isn't so. Without belongings and a place to live, he soon turns up among other homeless people, living scattered in boxes and cement pipes on a vast, barren field outside Milano. With his energy and enthusiasm Totò quickly engages the outcasts in transforming the place into a small shanty town. The eccentric misfits are turned into a warm-hearted community. But when the wealthy Mr. Mobbi buys the land he will try to get rid of the outcasts.

---

Plot Keywords:

magic | orphan | poverty | homelessness | baby found in cabbage patch | 

---

Taglines:

De Sica's Gay Comedy!

---

Genres:

Comedy | Drama | Fantasy

---

Certificate:

Not Rated

Did You Know?

Trivia

The film featured a mix of professional and non-professional actors. Some of these included down-and-out alcoholics who had to be woken up to work by having buckets of cold water thrown over them.

---

Quotes

Totò: Would you like the sun?
[Edvige nods, so Totó looks toward the horizon, where the sun comes up in a few seconds]

---

Connections

Featured in Sosialismi (2014)

User Reviews

Entertaining Neo-Realist Fantasy with Brechtian Echoes

MIRACLE IN MILAN has a straightforward plot: young Toto (Francesco Golisano) is discovered in a cabbage patch by an old woman (Emma Gramatica) who brings him up as her son. She passes away, and the boy is sent to an orphanage. Released from the institution as an adolescent, Toto embraces a positive view of life; and becomes involved in a large-scale project to set up a shanty-town on the outskirts of Milan. They fall foul of the landowner Mobbi (Guglielmo Barnabò) who tries every possible means to evict them using the police force, water-cannon, bullets and the like. Toto and his friends resist them with the help of the miracle suggested by the title and end up going to a possibly happier world.

Director Vittorio de Sica and his cinematographer G.R. Aldo capture the atmosphere of postwar Milan with its deserted streets, ruined buildings and outwardly cold population in the depths of winter. Horses and carts still run up and down the streets; cars are a rarity except among the filthy rich. Poverty is rife: many homeless people wander up and down ransacking the rubbish-heaps and making do with very little, even half-empty bottles of alcohol thrown to them from passing cars.

The distinction between rich and poor is highly pronounced, as one might expect from Cesare Zavattini, who rote the novel on which the film is based, as well as collaborating with de Sica. Yet MIRACLE IN MILAN differs from other de Sica movies in its use of quasi- Brechtian devices - for example, street signs changed into multiplication sums for the benefit of the street children, or obvious signs denoting the symbolic meaning of the shanty-town. The musical numbers (by Alessandro Cicognini) attest to a bright future for the poor; not that they need much. They would be happy with just a crust of bread and a roof over their heads.

Stylistically speaking the film has several antecedents, as well as the Italian neo-realist tradition. The sight of the shanty-town residents marching triumphantly down their streets singing about their dreams recalls British musicals such as SING AS WE GO (1934), as well as the better-known Depression-era Hollywood musicals like 42nd STREET (1933). The group ethic that binds Toto and his friends together has further British antecedents in PASSPORT TO PIMLICO (1949), another comedy set in the bomb-damaged wastes of a big city.

MIRACLE IN MILAN is a highly entertaining piece with an upbeat ending, drawing our attention to community values as well as placing our trust in our families. There are some good jokes at the expense of the bourgeois Mobbi, including one where he and his co- conspirator are reduced to barking at one another like a pair of unruly dogs. De Sica's social criticisms are as applicable today as they were sixty-plus years ago; one can only hope that people experiencing similar privations will be as optimistic about their future as Toto.

Details

Country:

Italy

Language:

Italian English

Release Date:

17 December 1951 (USA)

Also Known As:

Miracle in Milan

Filming Locations:

Duomo, Milan, Lombardia, Italy

Company Credits

Production Co:

Produzioni De Sica, Ente Nazionale Industrie Cinematografiche (ENIC)

Technical Specs

Runtime:

97 min

Sound Mix:

Mono Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1