6.4/10
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10 user 2 critic

Meet Me After the Show (1951)

Delilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.

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(screenplay), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
... Delilah Lee
... Jeff Ames
... David Hemingway
... Chris Leeds
... Timothy 'Tim' Wayne
... Gloria Carstairs
... Tillie, Delilah's Maid
Steve Condos ... Specialty Dancer
Jerry Brandow ... Specialty Dancer
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Storyline

Delilah Lee is the sar of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Music | Musical

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

15 October 1951 (Sweden)  »

Also Known As:

Ao Cair do Pano  »

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Box Office

Budget:

$1,825,000 (estimated)

Gross USA:

$2,606,000
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Betty Grable, Rory Calhoun, and Fred Clark also shared screen time in How To Marry A Millionaire. See more »

Quotes

Delilah Lee: Take your fingers out of your mouth, buster, and speak up. I wouldn't bite you... even if you appealed to me.
See more »

Connections

Remake of He Married His Wife (1940) See more »

Soundtracks

I FEEL LIKE DANCING
Written by Jule Styne, lyrics Leo Robin
Sung and danced by Betty Grable and Gwen Verdon with chorus
See more »

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User Reviews

 
Betty's boffo but plot holes abound
30 August 2014 | by See all my reviews

Later period Betty Grable picture gives her a chance to hoof and sing in a succession of glamorous outfits so for her fans there is plenty to enjoy within.

The problems start when the picture moves offstage. The first issue is Betty's leading man. It's not just that he's played by the less than fascinating MacDonald Carey but the character is a buffoonish, offensive sexist. It's difficult today to listen to several of the characters refer to how Carey's Jeff molded Betty into a star out of so much raw clay, as if Grable wasn't talented or intelligent enough to make it on her own. But even back in the 50's his character's condescending attitude must have made him come across as a sexist jerk.

The second problem is the script's absurd set of circumstances which stretch the bounds of logic by using the tired amnesia trope. The picture is full of quality support, Eddie Albert, Irene Ryan and Fred Clark all add a bit of spice, but it's all in the service of a weak scenario.

Bright, cheery and shallow but if you have a rainy afternoon to fill there are worse ways.


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