Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.Written by
Daniel Bubbeo <email@example.com>
Overstuffed Warner Bros. vehicle for Doris Day, here playing a nightclub singer who travels from England to New York to be reunited with her mom, a former Broadway star who has fallen on hard times; meanwhile, an elderly B-way producer hires Day for his new show, causing rumors that he's her lover! Since the many musical numbers consist of musty oldies (even for 1951) and the plot is a drag, that only leaves the stars to carry this second-biller, and Day, Gladys Cooper, S.Z. Sakall and Billy de Wolfe are all fun. Gene Nelson is off-putting as Day's romantic lead (he harbors a strangely creepy side which was probably unintentional), although his tap-dance with Doris up a steep flight of steps is breathtaking. An adequate time-filler, and Doris sparkles as usual. ** from ****
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