3.0/10
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40 user 12 critic

Lost Continent (1951)

Major Joe Nolan heads a rescue mission in the South Pacific to recover a downed atomic rocket. The crew crashlands on a mysterious island, and spends much time rock-climbing. They meet up ... See full summary »

Director:

Sam Newfield (as Samuel Newfield)

Writers:

Richard H. Landau (screenplay), Carroll Young (story)
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Cast

Complete credited cast:
Cesar Romero ... Maj. Joe Nolan
Hillary Brooke ... Marla Stevens
Chick Chandler ... Lt. Danny Wilson
John Hoyt ... Michael Rostov
Acquanetta ... Native Girl
Sid Melton ... Sgt. Willie Tatlow
Whit Bissell ... Stanley Briggs
Hugh Beaumont ... Robert Phillips
Murray Alper ... Air Police Sergeant
William E. Green William E. Green ... Simmons (as William Gren)
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Storyline

Major Joe Nolan heads a rescue mission in the South Pacific to recover a downed atomic rocket. The crew crashlands on a mysterious island, and spends much time rock-climbing. They meet up with a native girl, a big lizard, and some dinosaurs. Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Plot Synopsis

Taglines:

180.000.000 Years Beyond Belief! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

17 August 1951 (USA) See more »

Also Known As:

Continente Perdido See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White (tinted)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The 20-minute rock climbing sequence was mercilessly skewered on Mystery Science Theater 3000 (1988). See more »

Goofs

The rocket launched is depicted by stock footage of a V2 launch. However, a scene from overhead shows a different rocket being launched, evidently from Rocketship XM1. See more »

Quotes

Nolan: Look at the size of that footprint! I've never seen anything like it before!
Phillips: I have. Once... in a museum.
See more »

Connections

Referenced in Mystery Science Theater 3000: King Dinosaur (1990) See more »

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User Reviews

 
Amazing! A GOOD Sam Newfield movie...
20 October 1998 | by BrianVSee all my reviews

Sam Newfield was one of the, if not THE, most prolific directors in American film history. Counting features and two-reelers, Newfield racked up close to 300 films in a career that started shortly after the turn of the century and ended in 1958. Newfield churned out movies so quickly and on such a regular basis that one studio he worked for, PRC (owned by his brother, Sigmund), tacked the names "Sherman Scott" and "Peter Stewart" on much of Newfield's output so it wouldn't look like one man was making almost all of PRC's product. As can be expected, much of Newfield's work is of little or no importance (his Buster Crabbe westerns for PRC in the '40s are especially worthless), but every so often something would happen and Newfield would turn out a film that was coherent, professional-looking and even (gasp!) entertaining. He was assigned by producer Sam Katzman to the Tim McCoy series of westerns for Puritan in the mid-1930s, and some of them are actually tidy little gems--tight, humorous, well-staged little examples of the best of the B-western. "The Lost Continent" is among Newfield's best work--in fact, it probably IS Newfield's best work. Working with a larger budget than he was usually accustomed to (even given the fact that it was a cheapo Lippert production), and given a stronger cast than he got in many of his films, Newfield manages to do quite a good job with what he is given. The story (an Air Force plane trying to recover a lost missile that has landed in what turns out to be a prehistoric jungle, complete with dinosaurs) is nothing much, but Newfield's pacing is quite steady, the dialogue isn't as mind-numbing as the usual Newfield extravaganza, and he actually manages to generate some suspense (a first for him) with the Russian character played by John Hoyt (is he or isn't he a Commie spy?). The crude stop-motion dinosaurs are cheesy and badly done, but since they seem to have been thrown in at the last minute, they don't really detract from the film all that much. If you're familiar with Sam Newfield's work, this will be a revelation to you. If you're not, check it out to see what is the best film in an otherwise almost completely undistinguished career.


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