Michael is a private investigator with special psychic powers allowing him to subconsciously see clues in a case. He is hired to investigate the death of the very wealthy Charles who has a ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Surgeon Carlo Spagnolli returns to Uganda to visit the places where his career started, hospitals founded and still continued by courageous men and women, in a country which suffered ... See full summary »
A girl of perhaps five or six is orphaned in an air raid while fleeing a French city with her parents early in World War II. She is befriended by a pre-adolescent peasant boy after she wandered away from the other refugees, and is taken in for a few weeks by his family. The children become fast friends, and the film follows their attempt to assimilate the deaths they both face, and the religious rituals surrounding those deaths, through the construction of a cemetery for all sorts of animals. Child-like and adult activity are frequently at cross-purposes, however. Written by
Doug Shafer <firstname.lastname@example.org>
When Michel is teaching Paulette prayers, his father boxes his right ear which Michel starts to rub with his right hand. In the close up, Michel is rubbing his left ear with his left hand, and in the next distant shot he's again rubbing his right ear with his right hand. See more »
There are two alternate opening credits:The main credit starts with a story book and a female hand opens the book to reveal the credits. The alternate still has the same book but this time we are introduced to the two main characters who are sitting by a lake. In this version, Michel's hand is turning the page and in between the scenes he tells Paulette that he's going to tell a story. See more »
I don't know why I never managed to see "Les Jeux interdits" until tonight, an August evening in 2003, more than a half-century after the film's release. I'd heard about it ever since I started studying French in college in 1958.
The amount of comedy in the film surprised and pleased me. I'd always had the impression the film was morbid and creepy. I didn't find it so; poignant, occasionally disturbing, even heart-wrenching, but not morbid at all. The acting by the two children playing Michel and Paulette is the most amazing pair of performances I've ever seen. I learned from postings here that the film was made under far less than optimal conditions, but the flaws that do show up in the film, chief among them the abrupt and unsatisfactory ending, are so negligible in contrast to the overwhelming emotional and acting values throughout, that I rated this film a ten, the first time I've reached for the highest number.
I cannot imagine anything finer than this film, whose images will probably haunt me for the rest of my life.
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