After failing to be re-elected, politician Blake Washburn returns home and becomes editor of the local newspaper. When he notices the influence the paper has on the public, he uses it to appeal to potential voters in the next election.
Johnny runs away from Father O'Hara's orphanage and becomes a roller skating star with the help of Mary Reeves. He becomes involved with women, including Polly, who only love him because he... See full summary »
Prizefighter Johnny is in love with his promoter O'Malley's daughter Pat. His best friend, sports reporter Rick, is also in love with her but knows that she loves Johnny. Lonely Rick takes ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of the people. Miss Martin works in the "Herald" newspaper office. When tragedy strikes, Blake must re-examine his views.Written by
Ed Stephan <email@example.com>
Marilyn Monroe was often expected to provide her own wardrobe, a common practice in Hollywood at the time. The sweater with the grey body and black sleeves that she wears worn previously in The Fireball (1950) and in the final scene in All About Eve (1950). See more »
When Blake arrives home, his mother is listening to a radio show that states it is a Saturday afternoon program, but the next morning (which should be Sunday) Katy gets on a bus to go to school. See more »
What got you started on stream pollution?
It's a problem all over the country. The companies dump their wastes and ashes into fresh water... something that should be controlled.
See more »
From an artistic perspective, this is an awful film. It did not start as a film originally, it started as a commercial, but was expanded into a movie. The film was commissioned by General Motors, and was never released commercially. The film production was supervised by the head of GM's film division, John K. Ford. The film was meant as corporate propaganda for GM, except the shoddy manner in which it was done makes Soviet propaganda look like a masterpiece. Basically the plot goes like this: a politician says something negative about the town's largest company. The company president then comes in and makes a five minute speech about how much the corporation has done and the glories of capitalism. Then later on a newspaper writer says something negative about the company. The corporate executive comes in again and makes a ten minute speech about how great their corporation, and every American corporation for that matter is. And so on and so forth. One of the characters is Alan Hale, better known as the Skipper on Gilligan's Island. Marilyn Monroe also has a small part, she is onscreen for less than two minutes. In the end of the movie, the politician/journalist's little sister gets buried in a cave-in. The company springs into action, and uses it's latest developed technology to save her. The company president flies the girl to a hospital and saves her life. The politician/journalist sees the light and how wonderful the corporation, and all corporations are. Barf.
This unreleased GM inhouse movie was on TV as a late night movie recently (probably because it had two minutes of yet-to-be-a-star Marilyn Monroe in it), it was so awful I had to find out who wrote, directed and produced it. As I said, it was produced by GM - the writer and director was Arthur Pierson. Four years later Pierson would direct "Born In Freedom: The Story of Colonel Drake", a 30 minute movie about the beginning of the oil industry. I had read how US corporations produced a lot of these propaganda films (as well as books etc.) in the 1950's and tried to get them out there before they came upon more subtle and persuasive techniques and not this hard, bang-you-over-the-head with Soviet-style shoddy propaganda. If anything, this movie is an artifact of that happening, and perhaps interesting in that respect.
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