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The Great Caruso

  • 1951
  • Approved
  • 1h 49m
IMDb RATING
6.5/10
1.6K
YOUR RATING
Ann Blyth and Mario Lanza in The Great Caruso (1951)
This film traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant.
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BiographyDramaMusicMysteryRomance

The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.

  • Director
    • Richard Thorpe
  • Writers
    • Sonya Levien
    • William Ludwig
    • Dorothy Caruso
  • Stars
    • Mario Lanza
    • Ann Blyth
    • Dorothy Kirsten
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    1.6K
    YOUR RATING
    • Director
      • Richard Thorpe
    • Writers
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • Stars
      • Mario Lanza
      • Ann Blyth
      • Dorothy Kirsten
    • 34User reviews
    • 12Critic reviews
  • See production info at IMDbPro
    • Won 1 Oscar
      • 4 wins & 6 nominations total

    Videos1

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    Trailer 2:59
    Trailer

    Photos40

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    Top cast99+

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    Mario Lanza
    Mario Lanza
    • Enrico Caruso
    Ann Blyth
    Ann Blyth
    • Dorothy Benjamin
    Dorothy Kirsten
    Dorothy Kirsten
    • Louise Heggar
    Jarmila Novotna
    Jarmila Novotna
    • Maria Selka
    Richard Hageman
    • Carlo Santi
    Carl Benton Reid
    Carl Benton Reid
    • Park Benjamin
    Eduard Franz
    Eduard Franz
    • Giulio Gatti-Casazza
    Ludwig Donath
    Ludwig Donath
    • Alfredo Brazzi
    Alan Napier
    Alan Napier
    • Jean de Reszke
    Pál Jávor
    Pál Jávor
    • Antonio Scotti
    • (as Paul Javor)
    Carl Milletaire
    • Gino
    Shepard Menken
    • Fucito
    Vincent Renno
    • Tullio
    Nestor Paiva
    Nestor Paiva
    • Egisto Barretto
    Peter Price
    • Caruso (as boy)
    • (as Peter Edward Price)
    Mario Siletti
    Mario Siletti
    • Papa Caruso
    Angela Clarke
    Angela Clarke
    • Mama Caruso
    Ian Wolfe
    Ian Wolfe
    • Hutchins
    • Director
      • Richard Thorpe
    • Writers
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews34

    6.51.5K
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    Featured reviews

    derekmcgovern

    The Perfect Introduction to Opera

    This movie can truly be called life-changing. It certainly changed my life; I was totally ignorant of opera before a chance re-run of this movie introduced me to a whole new musical world. As it turned out, I was in illustrious company. There is not a single contemporary tenor of note who was not inspired by this movie.

    Let's be honest from the outset: the movie bears little resemblance to the real Caruso's life, and, yes, it is corny in the grand tradition of Hollywood musicals. But who cares? Lanza's singing is perfection itself, and his vibrant personality overflows in practically every scene. The rest of the cast is good, with top-notch operatic singers Blanche Thebom, Giuseppe Valdengo, et al providing Lanza with some worthy (and rare) vocal support.

    Highlights include a superb Vesti la Giubba, a moving Ave Maria and a rapturous Because. In all the movie contains 27 vocal items, with not a dull moment to be found amongst them.

    See this movie and revel in a unique vocal talent. In the words of one admirer, Mario Lanza could "outsing the entire Mormon Tabernacle Choir", and the movie is a stark reminder of how bland today's singing idols really are. Enrico Caruso, Jr, was one observer who concurred with this view.While the movie overlooked his existence in favor of his half-sister Gloria, Caruso's son had nothing but praise for the man who portrayed his father:

    "Mario Lanza was born with one of the dozen or so great tenor voices of the century, with a natural gift for placement, an unmistakable and very pleasing timbre, and a nearly infallible musical instinct conspicuously absent in the overwhelming majority of so-called 'great' singers. His diction was flawless, matched only by the superb Giuseppe di Stefano. His delivery was impassioned, his phrasing manly, and his tempi instinctively right -- qualities that few singers are born with and others can never attain.

    "I can think of no other tenor, before or since Mario Lanza, who could have risen with comparable success to the challenge of playing Caruso in a screen biography."

    Well said, Enrico Jnr, and viva il grande Lanza!
    patlong

    Excellent!!!!! Lanza was & still is the greatest!!!!

    I remember seeing The Great Caruso at a Cinema in Melbourne when I was 9 & I've never forgotten it!!!! Unfortunately they don't make movies like that anymore. Ironically that same theatre was where they had the Melbourne Premier of Mario's last film For The First Time on October 7th 1959 the day that Mario Lanza died. I beleive that I speak for most Mario fans around the world, when I say that Mario Lanza was the greatest tenor of them all!!!! I say that with all due respects to Pavartti Carrears & Domingo & many others. I'll never forget you Mario!!!!!
    9bkoganbing

    The Centerpiece of Mario Lanza's Career

    Since musicals have both gone out of fashion and are incredibly expensive to make without all the talent needed to make one under contract to a studio, I doubt we will ever get a real life story of Enrico Caruso.

    But if everything else was in place it was no accident that no Hollywood studio attempted the task until Metro-Goldwyn-Mayer had Mario Lanza under contract. No one else could have done it, I doubt whether it will ever be tried again.

    And why should it. I think Enrico Caruso himself would have been satisfied as to how his singing was portrayed on screen. For his tenor voice was his life, his reason for being on the earth.

    To say that liberties were taken with his life is to be modest. Caruso, like the man who portrayed him, was a man of large appetites although with a lot more self discipline. He had numerous relationships with several women and fathered two out of wedlock sons who are not in this film.

    His contribution to the recording industry is treated as almost an afterthought. He's shown in a recording studio once late in his life. Actually he started recording right around the turn of the last century and together with Irish tenor John McCormack for RCA Victor made the recording industry what it became.

    When Caruso and McCormack were at their heights you had to practically inherit a ticket to see either of them perform live. But a lot of immigrant Italian and Irish families had a phonograph and a record or three of either of these men. It's why both became the legends that they are.

    What the film does have is some beautifully staged operatic arias done by Mario Lanza, a taste of what he might have become had he the discipline of a Caruso to stick to opera. The Great Caruso won an Oscar for sound recording and received nominations for costume and set design.

    Mario himself helped popularize the film with an RCA Red Seal album of songs from The Great Caruso. Unfortunately due to contractual obligations we couldn't get an actual cast album with Ann Blyth, Dorothy Kirsten, and Jarmila Novotna also.

    Though Blyth sang it in the film, Lanza had a big hit recording of The Loveliest Night of the Year further helping to popularize The Great Caruso.

    If you're looking for a life of Enrico Caruso, this ain't it. If you are looking for a great artist singing at the height of his career, than you should not miss The Great Caruso.
    Doylenf

    Lanza's greatest role...highly fictionalized biography...

    I suppose it would be too much to expect a studio like MGM to produce a realistic biography of the legendary tenor in 1951--a year when the studio's reputation for glossy technicolor musicals was at an all-time high. They overproduced many a musical with strong star drawing power to fill the Radio City Music Hall with their products--and were certainly aiming to target the widest possible audience for this Caruso story with their new discovery--Mario Lanza.

    Lanza's rich lyrical tenor is given a showcase in which to perform both Neapolitan songs and operatic arias and he doesn't disappoint. Casting him as Caruso was a shrewd and clever decision--but the letdown comes in the fictionalized story that bears little resemblance to the true background of the singer. Artificial touches abound--including Ann Blythe as his wife. Nevertheless, since enjoyment of the film depends entirely on whether or not you enjoy the singing talent of Mario Lanza (and his limited acting abilities), you should find this biography a lightweight treatment of Caruso's life--although highly incomplete and sometimes even inaccurate. Perhaps some day there will be a true biography of the singer.

    If nothing else, should compel some viewers to explore Caruso's life for the real story. Incidentally, there is a new song, "The Loveliest Night of the Year", which rates utmost respect. The soundtrack is great to listen to--Lanza was in the best of voice at the time of recordings.
    7TheLittleSongbird

    Not 100% perfect, but an absorbing and visually sumptuous biopic, with superb music and one singing great playing another

    I have to admit I didn't find The Great Caruso note-perfect. People have already said as a biopic it is highly fictionalised, and those who say that are right- the story here is not consistent with what really happened. Also the screenplay is somewhat ramshackle and the pacing is a little slow in places.

    Flaws aside, The Great Caruso is still a very good film. For starters it is gorgeous to watch. The costumes, sets and cinematography are absolutely amazing and just a feast to the eyes. Even better is the music, the music is like a treasure trove of some of the greatest tenor arias ever written. We have La Donna E Mobile from Rigoletto, Celeste Aida from Aida and Vesti La Giubba from Pagliacci, not to mention the charming The Loveliest Night of the Year beautifully sung by Ann Blyth.

    I have little to complain about the performances either. Ann Blyth, Dorothy Kirsten(an underrated singer), Alan Napier, Paul Javor and Jarmila Novotna are all wonderful. I have yet to talk about the best performance, it is easy enough to say that Mario Lanza gave the best performance but vocally and acting-wise. How do you like that? A singing legend portraying another? Lanza is absolutely brilliant, he is in fine voice and wholly believable here, it is such a shame his career was cut so short. You may argue that Caruso and Lanza sound familiar in voice, personally I don't think they do. Whereas Lanza had a rich lyrical voice, Caruso's was somewhat darker and perhaps more dramatic. There is nothing wrong with that, both had naturally beautiful voices that sing all those arias with effortless ease.

    Overall, flawed, but well worth seeing for the music and Mario Lanza. You may be disappointed if you are looking for a true historical music lesson, but if you want a biopic with gorgeous visuals and music I think you have met your match in The Great Caruso. 7/10 Bethany Cox

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    Storyline

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    Did you know

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    • Trivia
      This was the next-to-last completed MGM film under Louis B. Mayer's supervision (the last was Show Boat (1951), released in the summer of that year). A proxy fight soon after would see him removed as the head of the studio he helped to found. He was replaced by his former chief of production, Dore Schary. Mayer ran MGM for 27 years, Schary for barely 6.
    • Goofs
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental. Says it ALL.
    • Quotes

      Enrico Caruso: It is true, Señor Barretto, that right now I sing for pennies. Pennies are not very important in a big house like this. But the singing, that is important everywhere. It makes people feel good inside, takes away the ugliness, the sadness, and it fills the empty place here. That too is something Señor, isn't it?

    • Crazy credits
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
    • Connections
      Featured in The Metro-Goldwyn-Mayer Story (1951)
    • Soundtracks
      The Loveliest Night of the Year
      Lyrics by Paul Francis Webster

      Music adaptation by Irving Aaronson

      Also performed by Ann Blyth (uncredited)

      Adapted from "Sobre las olas" (uncredited)

      Music by Juventino Rosas

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    FAQ17

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    Details

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    • Release date
      • August 17, 1951 (Australia)
    • Country of origin
      • United States
    • Languages
      • English
      • Italian
    • Also known as
      • Der große Caruso
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(studio: made in Hollywood, U.S.A.)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 49 minutes
    • Aspect ratio
      • 1.37 : 1

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