Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
A young man, morally destroyed by his parents not loving him and by the fear of being not capable to make his girlfriend happy, rises on the ledge of a building with the intention of committing suicide. A policeman makes every effort to argue him out of that.Written by
Tiziana Totaro <firstname.lastname@example.org>
Although the Twentieth Century-Fox Produced Scripts Collection, also located at UCLA, contains drafts of the film's screenplay written by Arnaud d'Usseau and James Gow, their work was not used in the final film. Joel Sayre, the author of the magazine story, also worked on treatments for the film, but his screenplay work was not incorporated in the completed picture. See more »
The middle-aged priest climbs 15 flights of stairs, and is not the least bit out of breath. See more »
They sure made the most of an incredibly simple plot.
FOURTEEN HOURS begins with Richard Basehart walking onto the ledge outside his hotel room. He's about to jump but can't quite bring himself to do it. A nearby cop (Paul Douglas) looks up and sees him on this ledge on the 15th floor and hurries over to the hotel to try to talk him out of jumping. Soon, his superiors come and relieve him--they'll work on trying to get Basehart down and Douglas simply isn't trained for this sort of thing. However, the so-called experts don't seem to get through to them, so they get Douglas back--after all, he had developed some rapport with the jumper. Soon, a series of family members are brought to help out, though in hindsight his mother (Agnes Moorehead) visiting was probably NOT the best idea. Does he jump or does he chose life? And, why in the first place did he decide to end it all? See for yourself to find out--you won't be sorry you did.
This film has one of the simpler plots I can think of--yet it all seemed to work very well. This is because the film was written so very well and the actors managed to make the most of it--especially Douglas as a sort of "everyman" cop. Taut direction, excellent lighting and a first-class production all around sure helped. Who would have thought such a deceptively ordinary idea could be handled so well?
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