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In this sequel to Father of the Bride (1950), Stanley Banks (Spencer Tracy) learns that his daughter Kay (Dame Elizabeth Taylor) is going to have a baby. When they get the news everyone except Stanley is overjoyed. His wife and grandmother-to-be Ellie (Joan Bennett) broadcasts it everywhere and all Stan can do is worry about the practical things like how his son-in-law Buckley Dunstan (Don Taylor) can afford it. Well, having not long ago paid for the wedding, Stanley has no intention of bearing any of the expenses involved. Buckley's parents and Ellie are overjoyed at the news and virtually take over redecorating the young couple's new house. Crisis and false alarms take over their lives and when the child is born, the only person he doesn't seem to like is Stanley. A walk in the park - and absolute panic when Stanley misplaces his grandson - seems to resolve the situation.Written by
This movie was shot in twenty-two days. See more »
The newborn baby in the hospital shows a fully healed navel. See more »
Now look Ellie, I know how anxious you've been to get your hooks into that baby, but the answer is NO. I've been through all that you know, the two o'clock feedings, the colic and the measles & all the rest of it & I'm not going through all of it again, especially with somebody else's baby
It wouldn't be like that, Stanley, it'll be fun to have a baby
You can go over and see the baby at their apartment when they get it all washed & ironed, but it's not coming here and THAT'S FINAL!
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A befuddled Spencer Tracy and a scatty Joan Bennett find out they are to become grandparents in this charming sequel to 'Father of the Bride'. Although the original film was better, this is a funny, warm, and worthy follow-up.
Elizabeth Taylor again appears as daughter Kay, looking beautiful and radiant. Husband Buckley (the slightly wooden Don Taylor) struggles to cope with his pregnant wife's mood swings, while the in-laws (Moroni Olsen as the pompous ex-Harvard father-in-law, Billie Burke as the twittery mother-in-law) almost come to blows before baby has even arrived.
The star performance in this film is, as ever, Tracy, as he comes to terms with his little girl growing away from him, with his life 'slipping away' with the arrival of the new baby, with his resentment of the rich in-laws. It's a winning performance, and his scenes with Bennett and with Taylor are pure gold.
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