A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Jim McLeod is a hard-nosed and cynical detective. He believes in a strict interpretation of the law and doesn't believe in turning the other cheek. The current object of his zealousness is Karl Schneider, an abortionist responsible for the death of several young women. Schneider's lawyer tells the precinct lieutenant that McLeod has his own personal reasons for going after his client. It turns out that his wife was a patient before they met, although Jim knew nothing of it. His world suddenly turned upside down, McLeod is too late in re-evaluating his priorities.Written by
Eleanor Parker would die on Kirk Douglas' 97th birthday on December 9 2013. See more »
In some of the close-up shots of McLeod and Schneider in the back of the paddy wagon, McLeod's shadow can be faintly seen on the rear-projection screen showing the street behind them. (Other shadows can also be seen.) See more »
Detective James McLeod:
I ought to fall on you like the sword of God.
That sword has two edges. You could cut your own throat.
Detective James McLeod:
I'm going to give you a piece of advice, Karl. When they let you free again, get out of New York. You butcher one more patient and law or no law, I'll find you. I'll put a bullet in the back of your head, and I'll drop your body in the East River. And I'll go home and I'll sleep sweetly.
You don't frighten me. Now I'll give you some advice. I have plenty on you, too. I know why you're so ...
[...] See more »
William Wyler's brilliant drama about a police detective (Kirk Douglas) who breaks his back trying to put criminals behind bars but there's a secret from his wife that's going to toss all his beliefs in the air. The last time I watched this film was when I was around eleven years old and it left a vivid aftertaste in my mouth after all these years. At the time I was just expecting another "old, dated" film but the realistic nature of this film remains quite powerful and very brutal even in today's jaded world. The entire cast delivers strong performances from the lead Douglas to the smallest of parts in the film. These performances certainly help the film seem all the more real, which is an added bonus. The best performance is of course the one by Douglas who brings all that energy and power to the film. Watching his character slowly breakdown and eventually lose it is something hard to forget.
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