Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
An alien (Klaatu) with his mighty robot (Gort) land their spacecraft on Cold War-era Earth just after the end of World War II. They bring an important message to the planet that Klaatu wishes to tell to representatives of all nations. However, communication turns out to be difficult, so, after learning something about the natives, Klaatu decides on an alternative approach.Written by
Bruce Janson <firstname.lastname@example.org>
In the original short story on which the screenplay is loosely based, the robot, Gort, was the master. Klaatu was merely one of a series of doubles, or maybe clones, that died after a short time. See more »
As the spaceship races across the world, scenes of successive radio announcers (or people listening to them) are shown, apparently in order of their broadcasts. When the BBC announcer in England is shown delivering his broadcast, the clock behind him reads 8:33 (p.m.). The next shot shows radio commentator H.V. Kaltenborn doing his broadcast from Washington, D.C. The clock behind him reads 3:24. Since Washington is five hours behind London, and assuming the broadcasts were indeed shown in order, Kaltenborn's clock should have read no earlier than 3:33, and probably a minute or more later than that. See more »
Interesting In Itself & As A Reflection of Its Era
Interesting both in itself and as a reflection of its era, "The Day the Earth Stood Still" may seem unspectacular now to those who are used to the extravagant science fiction pictures of the present time, but it deserves its place as a cinema classic. The story is worthwhile in itself, and as soon as you set aside any preconceptions about what science fiction should involve, it also builds up some pretty good drama and suspense. Its perspective is also interesting to see as a reflection of the concerns of its era, which have such obvious similarities with those of the present.
The story itself sometimes moves rather slowly, and the focus is really more on the reactions to Klaatu's arrival than on the action itself. As Klaatu, Michael Rennie stays pretty low-key, as does the rest of the cast much of the time. Although there are times when the movie might lack some energy as a result, in general it probably works better that way than it would have if there were too much forced emphasis on the urgency of Klaatu's mission, which is more than able to speak for itself. The ideas behind the story are fairly simple, but they are, of course, just as significant now (or in practically any other era) as they were in the 1950's.
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