Robert Taylor and Eleanor Parker star as a Kentucky backwoodsman and the woman who will NOT let anything interfere with her plans to marry him in this humorous romantic adventure through the American Frontier of 1798.
Jeff Curtis (Rod Cameron), a wagon-master on his way to accept the job of leading a pioneer train from Joplin, Missouri to the Oregon territory, picks up Ben Wilkins (Michael Chapin), a ... See full summary »
A group of outlaws posing as Southern sympathizers and led secretly by freight-line owner Jim Maroon are raiding stagecoaches, and this is a threat to the Union communications. Grif ... See full summary »
Kirby Frye, a former Confederate officer but now a Union Cavalry scout, is sent into Montana territory to locate and retrieve three Gatling Guns stolen from the U.S. Arsenal by outlaws believed to have taken them west to sell to the Soiux and Cheyenne. The trail leads him to Red Bluff where, aided by Claire Corville, he and the audience discover together and real quick like that Martin Gavin, a supposedly-honest operator of a freight line, has the guns and intends to exchange them to the Indians for furs.Written by
Les Adams <email@example.com>
This low-budget western programmer is as bland as they come. Even the colour, after half-a-century and nobody (understandably) showing any interest in restoring it, is pale and washed out. Rod Cameron plays the eponymous cavalry scout on the hunt for a stolen Gatling gun the government believes someone is trying to sell to restless Indian natives. He's a little too old for the role of leading man, but he probably needed the work and so was no doubt cheap to hire. The plot is strictly by-the-numbers stuff with no attempt at characterisation beyond the good-bad template Hollywood studios seemed to apply to all characters in their minor westerns. This one was produced by one of the Poverty row studios – Monogram or Republic, I forget which one – which probably goes a long way to explaining why it is so insipid and unambitious. Unless you're on some sad mission to be one of the few people in the world to have viewed all Rod Cameron or Poverty Row Studios' output I'd give this one a wide berth.
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