In postwar Tokyo, this household is loving and serene: older parents, their 28-year-old daughter Noriko, their married son, his devoted wife, and two rascally sons. Their only discontent is Noriko's lack of a husband. Society is changing: she works, she has women friends who tease and argue, her brother sees her independence as impudence, she sees it as normal. When her boss suggests that she marry a 40-year-old bachelor who is his friend, all the members of her family press her to accept. Without seeking their advice, and to their chagrin, Noriko determines her own course of action.
Did You Know?
According to Ozu, the concept of this film required an unusual approach to story and plot structure. As he wrote, "I wanted in this picture to show a life cycle. I wanted to depict mutability (rinne). I was not interested in action for its own sake. And I've never worked so hard in my life... I didn't push the action at all, and the ending, in consequence, should leave the audience with a poignant aftertaste." See more
Husbands are all like that. That's why we don't marry.
That's right, isn't it?
You don't know anything about married life.
Only married people understand.
Once you're married, it's too late to understand.