6.8/10
4,839
49 user 32 critic

Bud Abbott and Lou Costello Meet the Invisible Man (1951)

Passed | | Comedy, Sci-Fi, Sport | 7 March 1951 (USA)
Two bumbling private eyes help a man wrongly accused of murder who has become invisible to help clear his name.

Director:

Charles Lamont

Writers:

Hugh Wedlock Jr. (story), Howard Snyder (story) | 4 more credits »
Reviews
1 nomination. See more awards »

Photos

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Cast

Complete credited cast:
Bud Abbott ... Bud Alexander
Lou Costello ... Lou Francis
Nancy Guild ... Helen Gray
Arthur Franz ... Tommy Nelson
Adele Jergens ... Boots Marsden
Sheldon Leonard ... Morgan
William Frawley ... Detective Roberts
Gavin Muir ... Dr. Philip Gray
Sam Balter ... Radio Announcer
John Daheim John Daheim ... Rocky Hanlon (as John Day)
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Storyline

Boxer Tommy Nelson is accused of killing his manager. While detectives Bud and Lou investigate they come across an invisibility formula with which Tommy injects himself rather than face the police. This sparks an idea for trapping gangster Morgan by having Lou fight champ Rocky Hanlon, with Tommy's invisible help. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

It's all NEW and a RIOT too! See more »

Genres:

Comedy | Sci-Fi | Sport

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

A reporter asks Lou Francis (Lou Costello) who he has fought in the past. Lou replies, "Chuck Lamont, Bud Grant". Charles Lamont is the film's director and John Grant (nicknamed Bud) is the screenwriter. See more »

Goofs

When Lou goes to see Dr. Turner the psychiatrist, Turner's nameplate misspells his specialty as phychiatry, leaving out the "s". See more »

Quotes

Bud Alexander: [grabbed by the invisible man] Oh no! It's Tommy Nelson, Lou, he's here!
[grabs the air]
Bud Alexander: I touched him!
[gets slapped]
Lou Francis: I think he touched you back.
See more »


Soundtracks

Rock-a-bye Baby
(uncredited)
Music by Effie I. Canning
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User Reviews

One Way of Looking at the "A&C Meet..." Series
26 January 2012 | by dougdoepkeSee all my reviews

To me, this is arguably the best of the "A&C Meet…" series. The boys get mixed up with a prizefighter accused of murder who escapes the cops and gangsters by turning invisible with the help of an experimental serum. Naturally, this leads to an array of amusing hijinks.

The comic potential here is greater than in other A&C monster entries (…Meet Frankenstein; … Meet the Mummy; etc.) because the menace here has the power of invisibility. That means the menace can challenge the boys in public without the public knowing it. On the other hand, the other monsters can't mix in public without being seen which narrows the comic potential to haunted houses or other non-public spaces.

For example, take the punching bag scene. It looks like Lou (Costello) has lightning speed rocking the bag when in reality it's the invisible boxer Tommy (Franz) who's doing it. There're a number of set-ups like this where the public is astonished by Lou's apparent powers, while actor Costello milks the comic potential.

That's not to say the other monster entries are not funny to varying degrees. But the monsters are restricted in these movies to scaring everyone in over-the-top fashion, whereas being invisible greatly expands the possibilities, such as the nightclub scene with the poor flummoxed waiter (Syd Saylor) who can't figure out who's doing what.

Anyway, the movie's consistently amusing and inventive. However, I wish we saw more of that great flashy blonde Adele Jergens (Marsden) and that great phony gangster Sheldon Leonard (Morgan). Seeing them together here resembles a match made in some cheap nightclub heaven. All in all, this is one of my A&C favorites among their many comedies.


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Frequently Asked Questions

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Details

Country:

USA

Language:

English

Release Date:

7 March 1951 (USA) See more »

Also Known As:

Meet the Invisible Man See more »

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Box Office

Budget:

$627,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

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