In a marksmanship contest, Lin McAdam wins a prized Winchester rifle, which is immediately stolen by the runner-up, Dutch Henry Brown. This "story of a rifle" then follows McAdams' pursuit, and the rifle as it changes hands, until a final showdown and shoot-out on a rocky mountain precipice.Written by
Herman Seifer <email@example.com>
Shelley Winters was worried upon finding out that both she and James Stewart thought that their best-photographed side was their left side, but she found that Stewart would yield in their close-ups. As she later said, "A couple of Left Profiles don't make for a convincing love scene when the two of them are staring off in the same direction. Since he was the star... I knew who'd be told to turn right. I couldn't have been more wrong. One morning Tony Mann came to me and said that Jimmy wanted me to be shot from the left because he knew that the whole thing was making me anxious. Naturally, Jimmy never said a word to me directly." See more »
Sgt. Wilkes refers to he and his men belonging to the "Pennsylvania Ninth," i.e. the 9th Pennsylvania Cavalry. There was such a regiment during the Civil War, but it disbanded July 18, 1865, so it would not be fighting Indians in the West in 1876. Many Civil War veterans fought in the Indian Wars, but Wilkes's character would have transferred into a Regular Army unit, rather than serving in a volunteer state regiment.
Wilkes states that his regiment fought at Gettysburg and implies that it was also at (1st) Bull Run and Shiloh. However, the real 9th Pennsylvania Cavalry was not present at any of these battles. See more »
We've hit a lot of towns, Lin. What makes you think he'll be here?
He'll be here.
We've been wrong before.
He'll be here.
On account of that?
[High Spade indicates the Winchester '73 rifle that is the top prize at Dodge City's Fourth of July shooting competition]
If he isn't here already, that gun'll bring him.
See more »
The film's opening prologue states: This is a story of the Winchester Rifle Model 1873 "The gun that won the West" To cowman, outlaw, peace officer or soldier, the Winchester '73 was a treasured possession. An Indian would sell his soul to own one . . . See more »
lonesome cowboy (James Stewart) tracks the evil brother who stole his beloved rifle.
Buffs of the adult western that flourished in the 1950s try and trace its origins to the film that kicked off the syndrome. Of course, we can go back to Howard Hawks's Red River (1948) or further still to John Ford's My Darling Clementine (1946), but if we want to stick with this single decade, then it has to be one of a couple of films made in that era's initial year. One is "The Gunfighter," an exquisitely grim tale of a famed gunslinger (Ringo) facing his last shootout. Another from that same year is "Winchester '73," and it's worth noting that Millard Mitchell appears in both as grim, mustached, highly realistic range riders. In The Gunfighter, he's the town marshal expected to arrest Ringo but once rode with him in an outlaw gang. In Winchester, he's the sidekick to Jimmy Stewart, a kind of Horatio to Stewart's Hamlet in this epic/tragic tale. The plot is simple enough: Stewart's lonesome cowpoke wins a remarkable Winchester in a shooting match, beating the meanest man in the west (Stephen McNally), who is actually his own brother and caused the death of their father. When the brother steals the gun, Stewart and Mitchell go after him in a cowboy odyssey that takes them all across the frontier, meeting up with both outlaws and Indians. (In one wonderful bit, two future stars - Rock Hudson and Tony Curtis - play an Indian chief and a U.S. cavalry soldier - during a well staged pitched-battle. Dan Duryea steals the whole show as a giggling outlaw leader, while Shelly Winters, just before she began to gain weight, is fine as the shady lady who ties all the plots together. Today, filmmakers would go on for about four hours to bring such an ambitious idea to the screen, but Anthony Mann does so in an extremely economical amount of time, with not a minute wasted. Such western legends as Bat Masterson and Wyatt Earp (terrifically played by Will Geer) make brief appearances, adding to the historicity as well as the epic nature. The final battle between good and bad brothers, high atop a series of jutting rock canyons, is now legendary among western buffs. It's also worth noting that Stewart, however much associated he became with western films, does what is actually his first western leading man role here - yes, he was in Destry Rides Again eleven years earlier, but was cast in that comedy spoof because he seemed so WRONG for westerns!
25 of 31 people found this review helpful.
Was this review helpful to you?
| Report this