IMDb RATING
7.1/10
4.9K
YOUR RATING
Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.
IMDb RATING
7.1/10
4.9K
YOUR RATING
- Director
- Writers
- Stars
Top credits
- Director
- Writers
- Stars
- Director
- Writers
- Frank S. Nugent
- Patrick Ford
- John Ford(story) (uncredited)
- Production, box office & more at IMDbPro
- All cast & crew
Storyline
As Mormon settlers head to the promised land at the San Juan river in Utah, they hire horse traders Travis Blue and Sandy as wagon masters. They have to forge a trail across unknown territory and face many hardships along the way. They quickly come across some stranded travelers, a medicine show run by Dr. A. Locksley Hall which includes the attractive Denver. Along the way however, they are also joined by Shiloh Clegg and his murderous clan of robbers and thieves. An encounter with the Navajo leads to an invitation to their camp but after one of the Clegg boys gets a whipping for attacking one of the Navajo women, Uncle Shiloh plans his revenge. It's left to Sandy and Travis to protect the travelers and get them to their destination. —garykmcd
- Taglines
- John Ford's lusty successor to "Fort Apache" and "She Wore a Yellow Ribbon"
- Genre
- Certificate
- Approved
- Parents guide
Did you know
- TriviaIn the scene where Sandy (Harry Carey, Jr.) and Jackson (Chuck Hayward) fight, the fight is broken up by Elder Wiggs (Ward Bond). Bond has ripped pants as he separates the fighters, and you can hear a dog barking in the background. This happened because Director John Ford wanted to use two dogs, that had been ruining every scene in the film by fighting, in the background as the men fought, hoping the dogs would start fighting as a contrast to the men fighting. Instead of fighting, however, one of the dogs ran away, and the other attacked Bond and ripped his pants. Ford could barely contain his laughter, but kept filming. Afterward, he became quite concerned and said they needed to find the dog, in case it had bitten Bond, not just ripped his pants. Ford was worried the dog might have needed a tetanus shot.
- GoofsWhile the peaceful Mormon homesteaders may not have been carrying sidearms, that they would also not have rifles and shotguns (for hunting and protection from animals) seems unlikely. Certainly 19th century Mormons didn't have an aversion to firearms - one of the greatest gun designers in history, John M. Browning, was a practicing Mormon.
- Quotes
Sandy: By Golly, I bet it's going to be hotter then...
Jackson: [Angrily] Mind your language!
Sandy: I wasn't cussin'!
Jackson: You were going to say Hell!
Sandy: I was going to say Hades, but Hell ain't cussin', it's geography... It's the name of a place, like you might say Abilene or Salt Lake City.
Jackson: [Taking offense] Don't you be going making any remarks about Salt Lake City!
[Sandy turns away, but when he cinches his saddle, he purposesly bumps into Jackson, Jackson does it back, and they do it back and forth. Then they turn around and fight]
- ConnectionsEdited into Trail Guide (1952)
- SoundtracksWAGONS WEST
Words and Music by Stan Jones
Recorded by Sons of the Pioneers (as The Sons of the Pioneers)
Sung (behind credits) by the Sons of the Pioneers (uncredited)
Top review
Underrated in the Ford Canon
I never thought I'd be using a word like "charming" in connection with a Western. But the first half of Wagon Master strikes me as just that, charming. The colorful characters and set-ups blend together in shrewdly affable fashion. Of course, the opening hook features brief gunplay, but that's just to let the audience know that the movie will include traditional bad guys. Actually, there's much less gunplay than expected, though the second half is more tension filled than the first. Still, the eventual showdown is de-dramatized in atypical fashion.
To me, Ben Johnson makes an excellent westerner. His regional accent is perfect. He may not be a John Wayne icon, but neither does he compete with the story. After all, the wagon train's success amounts to a collective effort and not that of a single heroic figure. Also, Carey Jr. makes a good headstrong sidekick, good for a chuckle or two. And, yes, that is a young,, naturally blond, James Arness as one of the Cleggs, even if without any dialog.
Two things I really like about this Ford Western. The characters are colorful without becoming caricatures, plus the fact that it's filmed in b&w. Now, Technicolor would bring out the awesome beauty of the Moab locations, but also distract from the storyline. The b&w photography here is excellent, but has the important effect of bringing out the majesty of the surroundings without competing. It's a perfect setting for the movie's theme of a new land for a peaceable Mormon people. Note too, how the Navajo are treated with respect, and even acknowledged as victims of white men's thievery, but without piling it on. Note too that except for the opening scene the entire movie was shot on location. A real outdoor Western.
All in all, Ford blends the many elements together beautifully. In my little book, the result should be more celebrated among his canon than it is. I know it's my favorite among the many Ford Westerns I've seen.
To me, Ben Johnson makes an excellent westerner. His regional accent is perfect. He may not be a John Wayne icon, but neither does he compete with the story. After all, the wagon train's success amounts to a collective effort and not that of a single heroic figure. Also, Carey Jr. makes a good headstrong sidekick, good for a chuckle or two. And, yes, that is a young,, naturally blond, James Arness as one of the Cleggs, even if without any dialog.
Two things I really like about this Ford Western. The characters are colorful without becoming caricatures, plus the fact that it's filmed in b&w. Now, Technicolor would bring out the awesome beauty of the Moab locations, but also distract from the storyline. The b&w photography here is excellent, but has the important effect of bringing out the majesty of the surroundings without competing. It's a perfect setting for the movie's theme of a new land for a peaceable Mormon people. Note too, how the Navajo are treated with respect, and even acknowledged as victims of white men's thievery, but without piling it on. Note too that except for the opening scene the entire movie was shot on location. A real outdoor Western.
All in all, Ford blends the many elements together beautifully. In my little book, the result should be more celebrated among his canon than it is. I know it's my favorite among the many Ford Westerns I've seen.
helpful•62
- dougdoepke
- May 4, 2016
Details
Box office
- Budget
- $999,370 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.37 : 1
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