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Till We Meet Again (1950)

Mata au hi made (original title)
The hero Saburo (Okada Eiji) is obstructed by a series of events from meeting Keiko (Kuga Yoshiko), his fiancee.

Director:

Tadashi Imai

Writers:

Yôko Mizuki (screenplay), Toshio Yasumi (screenplay)
Reviews
4 wins. See more awards »

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Cast

Cast overview, first billed only:
Yoshiko Kuga ... Ono Keiko
Eiji Okada ... Tajima Saburo
Osamu Takizawa Osamu Takizawa ... Eisaku
Akitake Kôno Akitake Kôno
Akiko Kazami Akiko Kazami
Haruko Sugimura ... Ono Suga
Hayashi Koichi Hayashi Koichi ... Saburo's friend
Hiroshi Akutagawa Hiroshi Akutagawa ... Saburo's friend
Akira Ôizumi Akira Ôizumi ... Saburo's friend
Hiroshi Kondô Hiroshi Kondô ... Saburo's friend
Yoshie Minami Yoshie Minami
Eizo Tanaka Eizo Tanaka ... The president of the art publishing company
Fusatarô Ishijima Fusatarô Ishijima
Fumio Ômachi Fumio Ômachi
Keiji Sakakida Keiji Sakakida
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Storyline

The hero Saburo (Okada Eiji) is obstructed by a series of events from meeting Keiko (Kuga Yoshiko), his fiancee.

Plot Summary | Add Synopsis

Genres:

Drama | History

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Details

Country:

Japan

Language:

Japanese

Release Date:

21 March 1950 (Japan) See more »

Also Known As:

Till We Meet Again See more »

Company Credits

Production Co:

Toho Company See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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User Reviews

Routine war-time romance.
16 November 2010 | by MozjoukineSee all my reviews

This one would have gone to Venice in place of RASHOMON, if they had a sub-titled print and what a mess that would have made of film history.

It's a passable black and white account of the awfulness of civilian life during hostilities, with sensitive lead Okada more interested in pairing with the winning heroine than his soldier brother's lectures on manly spirit. His poetry writing student mates advocate Christian literature to ease his frustrations.

The brief happiness in the row boat or his producing a baby photo for her to work from for his portrait, brighten things. We could have seen more of the exploitative publisher, who has tank atrocities added to her work.

Routine handling.


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