Donald heads out for a nice relaxing camping trip, until he runs into trouble with Chip and Dale.Donald heads out for a nice relaxing camping trip, until he runs into trouble with Chip and Dale.Donald heads out for a nice relaxing camping trip, until he runs into trouble with Chip and Dale.
- Director
- Writer
- Stars
Dessie Flynn
- Dale
- (voice)
- (uncredited)
James MacDonald
- Chip
- (voice)
- (uncredited)
Clarence Nash
- Donald Duck
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe working title for this cartoon was "No Parking".
- GoofsWhen Chip and Dale pushes the pine cones over the hole in Donald's trailer they break his teacup, they push the rest of the pine cones and breaks more plates and hits his head twice. The pine cones in real life are very light and would not be heavy or strong enough to break Donald's cup or dishes. Chip and Dale would've been better off rolling heavy rocks and dropping rocks on Donald's dishes as they would be heavy enough to do damage to break his cup and plates and hurt Donald Ducks head.
- ConnectionsEdited into The Magical World of Disney: Duck Flies Coop (1959)
Featured review
A Walt Disney DONALD DUCK Cartoon.
Donald's TRAILER HORN alerts Chip 'n' Dale to his attempts to enjoy a quiet vacation camping under their tree.
Here is another routine Duck versus Chipmunks film. The animation is unremarkable, but the antagonists are always fun to watch. Clarence "Ducky" Nash supplies Donald's unique voice; the Chipmunks are virtually unintelligible.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Donald's TRAILER HORN alerts Chip 'n' Dale to his attempts to enjoy a quiet vacation camping under their tree.
Here is another routine Duck versus Chipmunks film. The animation is unremarkable, but the antagonists are always fun to watch. Clarence "Ducky" Nash supplies Donald's unique voice; the Chipmunks are virtually unintelligible.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
- Ron Oliver
- Oct 20, 2002
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Зіпсований відпочинок
- Production company
- See more company credits at IMDbPro
- Runtime6 minutes
- Aspect ratio
- 1.37 : 1
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