7.3/10
1,770
15 user 19 critic

Till glädje (1950)

Two violinists playing in the same orchestra fall in love and get married, but they can't get along.

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Cast

Complete credited cast:
... Marta Olsson
... Stig Eriksson
... Marcel
... Mikael Bro
... Nelly Bro
... Sönderby
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Storyline

Stig, a visiting soloist to a small Swedish orchestra, marries fellow musician Martha, but the inner torment and sense of failure in Stig leads to an extra-marital affair and a tragic ending. Written by Edward Terence Ferrari <e.t.ferrari@sheffield.ac.uk>

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20 February 1950 (Sweden)  »

Also Known As:

To Joy  »

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1.37 : 1
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Did You Know?

Trivia

One of four Ingmar Bergman films never released theatrically in the US, although it did appear in America on videotape in 1984. See more »

Connections

Featured in Minns Ni? (1993) See more »

Soundtracks

SYMPHONY NO 9, OP. 125 ('AN DIE FREUDE')
Music by Ludwig van Beethoven
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User Reviews

 
What Is Joy? That's the Real Question
12 March 2015 | by See all my reviews

It took a long time to have even a slight interest in Stig and pouting, depressing being. He is a mediocre violinist playing in a second tier orchestra. He has an incredibly inflated view of his abilities. When he gets his opportunity to solo, he blows it, but, of course, none of it is his fault. He becomes involved with Marta, who is herself a complex being. He is known for his embarrassing behavior, like he exhibits at her birthday party. But still she finds in him something that leads to their getting married. Her pregnancy derails things for a while but they fall back together. Meanwhile, he begins to see a beautiful young woman, the wife of a much older man and friend. He really is a cad and even though things are going so well, he can't handle a settled situation. Eventually, this involvement with a mistress becomes too much for the couple. She gets fed up and he regresses to his tight little self- centered world. At some point he sees that there is more to life than wandering around in the pits and they are reunited. We already know the ending because the whole thing is done in flashback. There is stunning cinematography, lovely closeups, black and white images that translate emotionally. Bergman seemed to be a master from the very beginning of his career.


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