Playboy Charlie Hill meets beautiful Angela Bonfils, a mission house worker in the Bowery. He genuinely falls in love, so dedicated to winning over her, Charlie cleans up his act and even gets a job as a driver to impress her.
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Flying Tiger Fred Atwell sneaks away from his famous squadron's personal appearance tour and goes incognito for several days of leave. He quickly falls for photographer Joan Manion, ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Song-and-dance man Bert Kalmar can't continue his stage career after an injury for a while, so he has to earn his money as a lyricist. Perchance he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry is former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact that Ruby has caused a backer's withdrawal for a Kalmar play, they end their relation.Written by
Stephan Eichenberg <firstname.lastname@example.org>
The real Harry Ruby appears in a bit part as one of the baseball players. He is the one who catches the ball thrown by Red Skelton (as Harry Ruby) and tells "Ruby" to take it easy. See more »
When Harry hurts his hand playing baseball with the Washington Senators, his glove is knocked off of his left hand and he holds the index finger on that hand in obvious pain. Immediately afterward, when he is having difficulty playing the piano because of his injury, he has a bandage on his right index finger. See more »
Maybe I'm right, maybe I'm wrong, Maybe I'm weak, maybe I'm strong. But nevertheless I'm in love with you...
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Although Astaire was a bit past his prime in the dancing area, this is by far the best acting performance he gave (Towering Inferno Oscar nod included). His Bert Kalmar is complex, restless, at times testy, and very much a real person compared to the standard Astaire character. Whether the circumstances depicted in the movie were fact or fiction, he is really a character with a distinct persona, as opposed to Fred Astaire essentially playing himself as in most other his other films.
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