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Title: Tea for Two (1950)
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| Complete credited cast: | |||
| Doris Day | ... | Nanette Carter | |
| Gordon MacRae | ... | Jimmy Smith | |
| Gene Nelson | ... | Tommy Trainor | |
| Eve Arden | ... | Pauline Hastings | |
| Billy De Wolfe | ... | Larry Blair | |
| S.Z. Sakall | ... | J. Maxwell Bloomhaus | |
| Bill Goodwin | ... | William 'Moe' Early | |
| Patrice Wymore | ... | Beatrice Darcy (as Pat Wymore) | |
| Virginia Gibson | ... | Mabel Wiley | |
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash. Written by Daniel Bubbeo <dbubbeo@cmp.com>
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Not one of Doris Day's or Gordon MacRae's best, individually or together. 'On Moonlight Bay' and 'By the Light of the Silvery Moon' (both among the best films for both stars) are better collaborations of theirs.
There is however a lot to like about 'Tea for Two', regardless of whether all those involved have done better in their careers. 'Tea for Two' could have been better certainly. One is aware that it has been well established that musicals are not really seen for their stories (whether it matters or not is wholly dependent on how well everything else is executed), but this story is so-so fluff at best and ridiculously daft at worst, the story being one of the most preposterous for any film musical made around this time.
Some of 'Tea for Two' feels under-directed, though not as much as the still enjoyable 'Lullaby of Broadway' (with the same director involved), more in the non-song and dance numbers than in the musical scenes themselves. This is particularly in the SZ Sakall book-ending sequences, despite Sakall's best efforts those sequences seemed under-rehearsed and added very little. Virginia Gibson's character was underwritten and in a way incomplete, there was a sense that the film wanted to do more with her but couldn't.
On the other hand, 'Tea for Two' looks great. Technicolor nearly always works wonderfully on film and particularly used to full advantage in musicals. It is a very lavishly produced film with a truly enchanting atmosphere. While not among the most memorable song scores, the songs are still incredibly pleasant and often very beautiful and puts one in a good mood, suiting the voices of Day and MacRae wonderfully. The title song, "I Only Have Eyes For You", "I Want to be Happy", "I Know that You Know" and Oh Me! Oh My!" are particularly good.
They are aided by some great choreography as well. The big standout is Gene Nelson's jaw-dropping banister sequence, which has to be seen to be believed. The script is witty and full of warm-hearted charm, a lot of the best lines coming from Eve Arden.
Day is luminous, looks very natural on screen and sings sublimely as always. MacRae would go on to better things but is charming, has a robust but beautiful baritone voice and his chemistry with Day is irresistible. Nelson once again proves himself to be quite the extraordinary dancer. Sakall plays the same character he usually does, but does it well so that doesn't matter so much, while Arden steals scenes with her terrific comic timing and witty lines. Even Billy DeWolfe, a take it or leave it performer whose shtick too often elsewhere doesn't hold up particularly well, is tolerable.
In conclusion, not perfect but a tea-licious tea-light (pardon the very cheesy pun, really struggled to come up with a review summary) that pours well. 7/10 Bethany Cox