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Sunset Blvd. (1950)

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A screenwriter is hired to rework a faded silent film star's script, only to find himself developing a dangerous relationship.

Director:

Billy Wilder
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Popularity
1,862 ( 1,106)
Top Rated Movies #56 | Won 3 Oscars. Another 15 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Holden ... Joe Gillis
Gloria Swanson ... Norma Desmond
Erich von Stroheim ... Max Von Mayerling
Nancy Olson ... Betty Schaefer
Fred Clark ... Sheldrake
Lloyd Gough ... Morino
Jack Webb ... Artie Green
Franklyn Farnum ... Undertaker
Larry J. Blake ... 1st Finance Man (as Larry Blake)
Charles Dayton Charles Dayton ... 2nd Finance Man
Cecil B. DeMille ... Cecil B. DeMille
Hedda Hopper ... Hedda Hopper
Buster Keaton ... Buster Keaton
Anna Q. Nilsson ... Anna Q. Nilsson
H.B. Warner ... H. B. Warner
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Storyline

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond, who lives alone with her butler and driver Max Von Mayerling. Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was her director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

This is it .. the most compelling dramatic story ever unfolded on the screen .. a tale of heartache and tragedy ..love and ambition .. told against the fabulous background of Hollywood. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 September 1950 (Australia) See more »

Also Known As:

A Can of Beans See more »

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Box Office

Budget:

$1,752,000 (estimated)

Gross USA:

$5,123,000, 31 December 1950

Cumulative Worldwide Gross:

$5,303,175
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The only Best Picture Oscar nominee of the year to be also nominated for Original Screenplay. See more »

Goofs

At the New Year's Eve party (at Norma's house), we hear someone plucking a violin, but when we look at the orchestra, they are all playing with their bows. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 o'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
See more »

Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Referenced in Hick (2011) See more »

Soundtracks

Sobre las Olas (Over the Waves)
(1887) (uncredited)
Written by Juventino Rosas
Hummed by Gloria Swanson
See more »

Frequently Asked Questions

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User Reviews

 
They Don't Make 'Em Like This Anymore
2 July 2004 | by belikemichael.comSee all my reviews

This is such a great film on so many levels I can't really settle on where to begin. It is so beautifully shot (in that stark black/white that only nitrate negative could achieve), has a witty, clever and extremely well-written script, features some of the best acting in film's history, acrobatically balances the main plot/subplots with expert precision, contains some of the best characters on celluloid, has many true-to-life parallels (Swanson's career/real life cameos/DeMille's involvement/etc) and is peppered with such great dialogue/narration that today's film writers should take note. If that weren't enough, there's even a cameo by silent film great Buster Keaton (among others).

One of the most appealing aspects of this film is how, in the story, an aging, forgotten star is trying to recapture a bygone era (the silent film era). What's interesting is that now, so many years later, we're looking back at her looking back. To present day viewers, Gloria Swanson of the 1950's is a long forgotten lost gem and to experience her own longing for the 1920's is especially captivating (and a little chilling, I might add). I don't think this film could have had that same effect when it debuted and maybe this added dimension holds so much more appeal for today's audiences. We all know that nothing lasts forever, but we don't often consider the abandoned participants; much like the veterans of a past war.

In response to the famous Swanson line (while watching one of her silent films): "...we didn't need dialogue; we had faces", I'd like to also add that they "didn't need movies; they had films."

They truly don't make them like this anymore. 10/10


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