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Sunset Blvd. (1950)

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A screenwriter is hired to rework a faded silent film star's script, only to find himself developing a dangerous relationship.

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Top Rated Movies #55 | Won 3 Oscars. Another 15 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Joe Gillis
... Norma Desmond
... Max Von Mayerling
... Betty Schaefer
... Sheldrake
... Morino
... Artie Green
... Undertaker
... 1st Finance Man (as Larry Blake)
Charles Dayton ... 2nd Finance Man
... Cecil B. DeMille
... Hedda Hopper
... Buster Keaton
... Anna Q. Nilsson
... H. B. Warner
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Storyline

In Hollywood of the 50's, the obscure screenplay writer Joe Gillis is not able to sell his work to the studios, is full of debts and is thinking in returning to his hometown to work in an office. While trying to escape from his creditors, he has a flat tire and parks his car in a decadent mansion in Sunset Boulevard. He meets the owner and former silent-movie star Norma Desmond, who lives alone with her butler and driver Max Von Mayerling. Norma is demented and believes she will return to the cinema industry, and is protected and isolated from the world by Max, who was her director and husband in the past and still loves her. Norma proposes Joe to move to the mansion and help her in writing a screenplay for her comeback to the cinema, and the small-time writer becomes her lover and gigolo. When Joe falls in love for the young aspirant writer Betty Schaefer, Norma becomes jealous and completely insane and her madness leads to a tragic end. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

This is it .. the most compelling dramatic story ever unfolded on the screen .. a tale of heartache and tragedy ..love and ambition .. told against the fabulous background of Hollywood. See more »

Genres:

Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 September 1950 (Australia)  »

Also Known As:

A Can of Beans  »

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Box Office

Budget:

$1,752,000 (estimated)

Gross USA:

$5,123,000, 31 December 1950

Cumulative Worldwide Gross:

$5,303,175
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Both Mary Astor and Miriam Hopkins starred in TV versions of the film in 1955 and 1956, respectively. And Carol Burnett spoofed the film several times on her TV variety show. See more »

Goofs

Norma tells Joe that she's bought a "revolver," but the gun is not a revolver. See more »

Quotes

[first lines]
Joe Gillis: Yes, this is Sunset Blvd., Los Angeles, California. It's about 5 o'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.
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Crazy Credits

The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street. See more »

Connections

Referenced in Waiting for Guffman (1996) See more »

Soundtracks

La Cumparsita
(1916) (uncredited)
Music by Gerardo Matos Rodríguez
Tango played by the band on New Year's Eve and danced by William Holden with Gloria Swanson
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Frequently Asked Questions

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User Reviews

Reel Life Gothic
16 September 2001 | by See all my reviews

Every time I go to L.A., which isn't too often, I look at these palm-bemused, once smart stucco facades, and wonder if a Norma Desmond from a later era might be hiding from the world inside them, buttressed by cable TV (AMC or TCM, no doubt), a poodle named FiFi or Sir Francis, walk-in closets full of leopard-print Capri pants that haven't fit in decades, and a world class liquor cabinet that has seen heads of state under the table on a good night. It is because of Sunset Blvd., for certain, that my mind could ever go there. It is one of the most indelible films you will ever see.

This film is great for many reasons, not the least of which is because it is Hollywood's first look back at itself. In the milieu of this film, the silent era is only 22 years behind us. The people left behind by the rush to sound can still palpably TASTE the fame, the accolade, that particular past being not so very dim and distant. The sadness of their lives was real, and at that point in history, all around, if hidden. Way more has been made of the supposed "savagery" of this film vis a vis the faded star than I think exists now, or ever did. The often cynical Wilder is deeply in touch with the tragic here, as much as the grotesque.


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