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Stage Fright (1950)

Approved | | Film-Noir, Thriller | 15 April 1950 (USA)
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high society entertainer.

Director:

Writers:

(screen play), (adaptation) | 1 more credit »
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2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
... Eve Gill
... Charlotte Inwood
... Ordinary Smith
... Jonathan Cooper
... Commodore Gill (as Alistair Sim)
... Mrs. Gill
... Nellie Goode
... Mr. Fortesque (as Miles Mallison)
Hector MacGregor ... Freddie Williams
... 'Lovely Ducks'
... Inspector Byard (as Andre Morell)
... Chubby Bannister
... Sergeant Mellish
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Storyline

Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she starts to fall in love. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Every time I'm beginning to think what color your eyes are, you disappear! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 April 1950 (USA)  »

Also Known As:

Die rote Lola  »

Filming Locations:

 »

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Box Office

Cumulative Worldwide Gross:

$1,012,000, 31 December 1952
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Alfred Hitchcock gave his daughter Patricia Hitchcock's character the decidedly unflattering name "Chubby Bannister." In addition to the joke, the name was a term of endearment according to the director. Alfred said that he liked calling Patricia "Chubby Bannister" because she was "a girl you could always lean on." See more »

Goofs

When Charlotte is testing a black dress, she holds a lit cigarette which disappears between shots. See more »

Quotes

[first lines]
Eve Gill: Any sign of the police?
Jonathan Cooper: No, no sign. Looks like we're getting away with it.
Eve Gill: Good.
Jonathan Cooper: How far is it to your father's boat?
Eve Gill: Two hours, with luck. You're luck seems to be very good. Touching wood.
See more »

Connections

Featured in The Hitchcocks on Hitch (2004) See more »

Soundtracks

Eve's Rhapsody
(1950) (uncredited)
Music by Leighton Lucas
Played on the piano
See more »

Frequently Asked Questions

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User Reviews

 
Remember! The Curtain is there for your safety.
16 October 1999 | by See all my reviews

What a great flick. At times ill-paced, but the performances more than make up for it. What's not to love? Doe-eyed Jane Wyman shifts effortlessly between the roles of aspiring dramatist to lovestruck protectress of Richard Todd to infiltrating false maid of Marlene Dietrich. Managing also to string along Michael Wilding, as the ubercool Inspector "Ordinary" Smith, she might sound like some cold calculating wench who uses up people like Marlene goes through hats. But that wouldn't be strictly accurate. Her Eve Gill is sweet and naive, but her gentler qualities are tempered with a genuine acting talent that allows her to juggle identities with the slyness of a fox-chameleon hybrid. The scene at the garden party when she switches from Dietrich's cockney maid to Smith's innocent date with every turn is delightful.

It is the masterful presence of the great Alastair Sim, however, that makes Stage Fright one of Hitchock's most enjoyable to watch. Few actors have his ability of making the most average of dialouges sound like a powerful oration, and as Eve's doting father, he makes the movie. His Commodore Gill is always at the ready to harbor a fugitive, clip off a snappy witicism, or scrounge blackmail money for his beloved daughter. He is equally at home playing comic relief as he is to serving as the plot glue that makes Eve's capers possible. But live with his wife? Thank you, no! He is content to live on his boat. Whether he is staging an amusing diversion to aid Eve, dispensing sage bits of fatherly advice, or merely strolling out in public, the man bleeds coolness with every move.

Some can argue that Stage Fright gives but an average treatment to the usual whodunnit murder-suspense formula that Hitchcock (and countless others) have used. This is perhaps true. But compared to the whole lot of crappy facsimile suspense films made since 1950, Stage Fright is quicker to entertain than most.

Be sure to check it out if you want to see Hitch cast his own daughter Patricia in the supporting role of "Chubby Banister." Is that some kind of sick joke or was that name flattering in the fifties?

P.S.-- I can't watch Marlene Dietrich anymore and not be reminded of Madeline Kahn's Teutonic Titwillow. Is there some free therapy I can get for this?


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